The first excerpt represents the past or something you must release, and is drawn from The Red Inn by Honore de Balzac: and he went out hastily. The master of the house followed him and
seemed to take an anxious interest in his condition. My neighbor and I
looked at each other, but I saw a tinge of bitter sadness or reproach
upon her countenance.
"Do you think your conduct is merciful?" she asked, drawing me to the
embrasure of a window just as I was leaving the card-table, having
lost all my money. "Would you accept the power of reading hearts? Why
not leave things to human justice or divine justice? We may escape one
but we cannot escape the other. Do you think the privilege of a judge
of the court of assizes so much to be envied? You have almost done the
work of an executioner."
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Modeste Mignon by Honore de Balzac: never barked; but terrible would have been the moment had the pair
made their teeth meet in some unknown adventurer.
We can now imagine the sort of life led by mother and daughter at the
Chalet. Monsieur and Madame Latournelle, often accompanied by
Gobenheim, came to call and play whist with Dumay nearly every
evening. The conversation turned on the gossip of Havre and the petty
events of provincial life. The little company separated between nine
and ten o'clock. Modeste put her mother to bed, and together they said
their prayers, kept up each other's courage, and talked of the dear
absent one, the husband and father. After kissing her mother for good-
night, the girl went to her own room about ten o'clock. The next
 Modeste Mignon |
The third excerpt represents the future or something you must embrace, and is drawn from Cromwell by William Shakespeare: You build a house! you knave, you'll be a beggar.
Now, afore God, all is but cast away,
That is bestowed upon this thriftless lad.
Well, had I bound him to some honest trade,
This had not been, but it was his mother's doing,
To send him to the University.
How? build a house where now this cottage stands,
As fair as that at Sheene!--[Aside.] He shall not hear me.
A good boy Tom! I con thee thank Tom!
Well said Tom! gramarcies Tom!--
Into your work, knaves; hence, you saucy boy.
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