| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from 'Twixt Land & Sea by Joseph Conrad: between us, throwing a shadow on the way of silent knowledge and
mute affection, the perfect communion of a seaman with his first
command.
Walking to the taffrail, I was in time to make out, on the very
edge of a darkness thrown by a towering black mass like the very
gateway of Erebus - yes, I was in time to catch an evanescent
glimpse of my white hat left behind to mark the spot where the
secret sharer of my cabin and of my thoughts, as though he were my
second self, had lowered himself into the water to take his
punishment: a free man, a proud swimmer striking out for a new
destiny.
 'Twixt Land & Sea |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Options by O. Henry: "When one of the 'swells' brings it to them," said Miss Trenholme.
"And my folks are swells. That's the trouble. But there are so many
swells at the seashore in the summer-time that we hardly amount to
more than ripples. So we've had to put all our money into river and
harbor appropriations. We were all girls, you know. There were four
of us. I'm the only surviving one. The others have been married off.
All to money. Mamma is so proud of my sisters. They send her the
loveliest pen-wipers and art calendars every Christmas. I'm the only
one on the market now. I'm forbidden to look at any one who hasn't
money."
"But--" began the hermit.
 Options |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov: officials and all sorts of riff-raff. And of course he had to
give food and drink to all that crew, and there had to be a piano
and a shaggy lapdog on the sofa -- plague take it! . . . Luxury,
in fact, self-indulgence. The lady did not stay with him long.
How could she? The clay, the water, the cold, no vegetables for
you, no fruit. All around you ignorant and drunken people and no
sort of manners, and she was a spoilt lady from Petersburg or
Moscow. . . . To be sure she moped. Besides, her husband, say
what you like, was not a gentleman now, but a settler -- not the
same rank.
"Three years later, I remember, on the eve of the Assumption,
 The Schoolmistress and Other Stories |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Happy Prince and Other Tales by Oscar Wilde: daughters. I have six beautiful daughters, and I am so afraid the
Pike may meet them. He is a perfect monster, and would have no
hesitation in breakfasting off them. Well, good-bye: I have
enjoyed our conversation very much, I assure you."
"Conversation, indeed!" said the Rocket. "You have talked the
whole time yourself. That is not conversation."
"Somebody must listen," answered the Frog, "and I like to do all
the talking myself. It saves time, and prevents arguments."
"But I like arguments," said the Rocket.
"I hope not," said the Frog complacently. "Arguments are extremely
vulgar, for everybody in good society holds exactly the same
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