The first excerpt represents the past or something you must release, and is drawn from The Coxon Fund by Henry James: fine gross easy senses, but it was not his good-natured appetite
that wrought confusion. If he had loved us for our dinners we
could have paid with our dinners, and it would have been a great
economy of finer matter. I make free in these connexions with the
plural possessive because if I was never able to do what the
Mulvilles did, and people with still bigger houses and simpler
charities, I met, first and last, every demand of reflexion, of
emotion--particularly perhaps those of gratitude and of resentment.
No one, I think, paid the tribute of giving him up so often, and if
it's rendering honour to borrow wisdom I've a right to talk of my
sacrifices. He yielded lessons as the sea yields fish--I lived for
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Off on a Comet by Jules Verne: by a significant nod, made his master understand that he was
to play the part that was implied by the title. He took the cue,
and promptly ordered the Jew to hold his tongue at once.
The man bowed his head in servile submission, and folded his hands
upon his breast.
Servadac surveyed him leisurely. He was a man of about fifty, but from
his appearance might well have been taken for at least ten years older.
Small and skinny, with eyes bright and cunning, a hooked nose,
a short yellow beard, unkempt hair, huge feet, and long bony hands,
he presented all the typical characteristics of the German Jew,
the heartless, wily usurer, the hardened miser and skinflint.
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The third excerpt represents the future or something you must embrace, and is drawn from When the Sleeper Wakes by H. G. Wells: to do. He made the offer abruptly. He addressed
the man in yellow, but he spoke to her. He saw her
face respond. "Here I am doing nothing," he said.
"It is impossible," protested the man in yellow.
"It is a fight in a warren. Your place is here."
He explained elaborately. He motioned towards
the room where Graham must wait, he insisted no other
course was possible. "We must know where you
are," he said. "At any moment a crisis may arise
needing your presence and decision. "The room was
a luxurious little apartment with news machines and
When the Sleeper Wakes |