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Today's Stichomancy for J.K. Rowling

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Whirligigs by O. Henry:

Armstrong -- honestly, now -- do I look such an awful, awful fright? I haven't looked into a mirror, you know, for months."

Armstrong made answer according to his changed moods. Also he laid his hand upon hers as it rested upon the horn of her saddle. Luis was at the head of the pack train and could not see. She allowed it to remain there, and her eyes smiled frankly into his.

Then at sundown they dropped upon the coast level under the palms and lemons among the vivid greens and searlets and ochres of the tierra caliente. They rode

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Around the World in 80 Days by Jules Verne:

were becoming importunate. He observed that the butchers stalls contained neither mutton, goat, nor pork; and, knowing also that it is a sacrilege to kill cattle, which are preserved solely for farming, he made up his mind that meat was far from plentiful in Yokohama-- nor was he mistaken; and, in default of butcher's meat, he could have wished for a quarter of wild boar or deer, a partridge, or some quails, some game or fish, which, with rice, the Japanese eat almost exclusively. But he found it necessary to keep up a stout heart, and to postpone the meal he craved till the following morning. Night came, and Passepartout re-entered the native quarter, where he wandered through the streets,


Around the World in 80 Days
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Story of an African Farm by Olive Schreiner:

spirit-world, so real and yet so silent, that surrounds us, one word would come to guide us! We are left alone with this devil; and God does not whisper to us. Suddenly we seize the Bible, turning it round and round, and say hurriedly:

"It will be God's voice speaking to us; His voice as though we heard it."

We yearn for a token from the inexorably Silent One.

We turn the book, put our finger down on a page, and bend to read by the moonlight. It is God's answer. We tremble.

"Then fourteen years after I went up again to Jerusalem with Barnabas, and took Titus with me also."

For an instant our imagination seizes it; we are twisting, twirling, trying

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from McTeague by Frank Norris:

work, and she was at no great pains to clear the air of the room vitiated by the fumes of the oil stove and heavy with the smell of cooking. It was not gay, that life. The room itself was not gay. The huge double bed sprawled over nearly a fourth of the available space; the angles of Trina's trunk and the washstand projected into the room from the walls, and barked shins and scraped elbows. Streaks and spots of the "non-poisonous" paint that Trina used were upon the walls and wood-work. However, in one corner of the room, next the window, monstrous, distorted, brilliant, shining with a light of its own, stood the dentist's sign,


McTeague