The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Maitre Cornelius by Honore de Balzac: figures were so vaguely defined in the "chiaroscuro" that they seemed
like phantoms; whereas others, standing in a full gleam of the
scattered light, attracted attention like the principal heads in a
picture. Some statues seemed animated, some men seemed petrified. Here
and there eyes shone in the flutings of the columns, the floor
reflected looks, the marbles spoke, the vaults re-echoed sighs, the
edifice itself seemed endowed with life.
The existence of Peoples has no more solemn scenes, no moments more
majestic. To mankind in the mass, movement is needed to make it
poetical; but in these hours of religious thought, when human riches
unite themselves with celestial grandeur, incredible sublimities are
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow: The napkin that had been about his head,
Not lying with the other linen clothes,
But wrapped together in a separate place.
THOMAS.
And I have seen Him. I have seen the print
Of nails upon his hands, and thrust my hands
Into his side. I know He is arisen;
But where are now the kingdom and the glory
He promised unto us? We have all dreamed
That we were princes, and we wake to find
We are but fishermen.
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Wizard of Oz by L. Frank Baum: bend down their branches, and that probably these were the
policemen of the forest, and given this wonderful power in order
to keep strangers out of it.
The four travelers walked with ease through the trees until they
came to the farther edge of the wood. Then, to their surprise, they
found before them a high wall which seemed to be made of white china.
It was smooth, like the surface of a dish, and higher than their heads.
"What shall we do now?" asked Dorothy.
"I will make a ladder," said the Tin Woodman, "for we certainly
must climb over the wall."
20. The Dainty China Country
 The Wizard of Oz |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Albert Savarus by Honore de Balzac: on all four sides of the building, in the Swiss fashion. Rodolphe had
loudly praised the elegance of this arrangement, and talked of the
view from that balcony, but all in vain. When he had taken leave of
the Bergmanns it struck him that he was a simpleton, like any man of
spirit and imagination disappointed of the results of a plan which he
had believed would succeed.
In the evening he, of course, went out in a boat on the lake, round
and about the spit of land, to Brunnen and to Schwytz, and came in at
nightfall. From afar he saw the window open and brightly lighted; he
heard the sound of a piano and the tones of an exquisite voice. He
made the boatman stop, and gave himself up to the pleasure of
 Albert Savarus |