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Today's Stichomancy for J. Edgar Hoover

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Duchesse de Langeais by Honore de Balzac:

although it seemed as if, in the stress of a great crisis, all these finer qualities must disappear, and the man would show himself implacable, unshaken in his resolve, terrific in action. There was a certain drawing in of the inner line of the lips which, to a close observer, indicated an ironical bent.

The Duchesse de Langeais, realising that a fleeting glory was to be won by such a conquest, made up her mind to gain a lover in Armand de Montriveau during the brief interval before the Duchesse de Maufrigneuse brought him to be introduced. She would prefer him above the others; she would attach him to herself, display all her powers of coquetry for him. It was a fancy, such

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Time Machine by H. G. Wells:

and a very splendid array of fossils it must have been, though the inevitable process of decay that had been staved off for a time, and had, through the extinction of bacteria and fungi, lost ninety-nine hundredths of its force, was nevertheless, with extreme sureness if with extreme slowness at work again upon all its treasures. Here and there I found traces of the little people in the shape of rare fossils broken to pieces or threaded in strings upon reeds. And the cases had in some instances been bodily removed--by the Morlocks as I judged. The place was very silent. The thick dust deadened our footsteps. Weena, who had been rolling a sea urchin down the sloping glass of a case,


The Time Machine
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Sophist by Plato:

I. The Sophist in Plato is the master of the art of illusion; the charlatan, the foreigner, the prince of esprits-faux, the hireling who is not a teacher, and who, from whatever point of view he is regarded, is the opposite of the true teacher. He is the 'evil one,' the ideal representative of all that Plato most disliked in the moral and intellectual tendencies of his own age; the adversary of the almost equally ideal Socrates. He seems to be always growing in the fancy of Plato, now boastful, now eristic, now clothing himself in rags of philosophy, now more akin to the rhetorician or lawyer, now haranguing, now questioning, until the final appearance in the Politicus of his departing shadow in the disguise of a statesman. We are not to suppose that Plato intended by such

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Hamlet by William Shakespeare:

And keepe within the reare of your Affection; Out of the shot and danger of Desire. The chariest Maid is Prodigall enough, If she vnmaske her beauty to the Moone: Vertue it selfe scapes not calumnious stroakes, The Canker Galls, the Infants of the Spring Too oft before the buttons be disclos'd, And in the Morne and liquid dew of Youth, Contagious blastments are most imminent. Be wary then, best safety lies in feare; Youth to it selfe rebels, though none else neere


Hamlet