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Today's Stichomancy for Jack Kevorkian

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass:

slaves. I had known what it was to be kindly treated; they had known nothing of the kind. They had seen little or nothing of the world. They were in very deed men and women of sorrow, and acquainted with grief. Their backs had been made familiar with the bloody lash, so that they had become callous; mine was yet tender; for while at Baltimore I got few whip- pings, and few slaves could boast of a kinder master and mistress than myself; and the thought of pass- ing out of their hands into those of Master Andrew-- a man who, but a few days before, to give me a


The Narrative of the Life of Frederick Douglass: An American Slave
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

purely fortuitous and magical or more distinctly rational and personal; there arose the sense of Sin, or of offence against these powers; there arose a complex ritual of Expiation--whether by personal sacrifice and suffering or by the sacrifice of victims. There arose too a whole catalogue of ceremonies--ceremonies of Initiation, by which the novice should learn to keep within the good grace of the Powers, and under the blessing of his Tribe and the protection of its Totem; ceremonies of Eucharistic meals which should restore the lost sanctity of the common life and remove the sense of guilt and isolation; ceremonies


Pagan and Christian Creeds
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moon-Face and Other Stories by Jack London:

naught remained in sight but his burning black eyes, poised apparently unsupported in mid-air.

"I have a refined and harmless solution for them," he said. "A fine spray with an air-brush, and presto! I am not."

This deftly accomplished, he said, "Now I shall move about, and do you tell me what sensations you experience."

"In the first place, I cannot see you," I said, and I could hear his gleeful laugh from the midst of the emptiness. "Of course," I continued, "you cannot escape your shadow, but that was to be expected. When you pass between my eye and an object, the object disappears, but so unusual and incomprehensible is its disappearance that it seems to me as though my eyes had blurred. When you

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wrong Box by Stevenson & Osbourne:

wandering in a tweed suit on the continent of Europe; and years of Galignani's Messenger having at length undermined his eyesight, he suddenly remembered the rivers of Assyria and came to London to consult an oculist. From the oculist to the dentist, and from both to the physician, the step appears inevitable; presently he was in the hands of Sir Faraday, robed in ventilating cloth and sent to Bournemouth; and to that domineering baronet (who was his only friend upon his native soil) he was now returning to report. The case of these tweedsuited wanderers is unique. We have all seen them entering the table d'hote (at Spezzia, or Grdtz, or Venice) with a genteel