| The first excerpt represents the past or something you must release, and is drawn from Jane Eyre by Charlotte Bronte: feast genially. His last words were balm: they seemed to imply
that it imported something to him whether I forgot him or not. And
he had spoken of Thornfield as my home--would that it were my home!
He did not leave the stile, and I hardly liked to ask to go by. I
inquired soon if he had not been to London.
"Yes; I suppose you found that out by second-sight."
"Mrs. Fairfax told me in a letter."
"And did she inform you what I went to do?"
"Oh, yes, sir! Everybody knew your errand."
"You must see the carriage, Jane, and tell me if you don't think it
will suit Mrs. Rochester exactly; and whether she won't look like
Jane Eyre |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Alcibiades I by Plato: with those of his scholars. To a later Platonist, the difference between
Plato and his imitators was not so perceptible as to ourselves. The
Memorabilia of Xenophon and the Dialogues of Plato are but a part of a
considerable Socratic literature which has passed away. And we must
consider how we should regard the question of the genuineness of a
particular writing, if this lost literature had been preserved to us.
These considerations lead us to adopt the following criteria of
genuineness: (1) That is most certainly Plato's which Aristotle attributes
to him by name, which (2) is of considerable length, of (3) great
excellence, and also (4) in harmony with the general spirit of the Platonic
writings. But the testimony of Aristotle cannot always be distinguished
|
The third excerpt represents the future or something you must embrace, and is drawn from The Call of the Canyon by Zane Grey: down to his knees an' swung on him hard. Deliberately knocked Ruff into the
dip ditch. What a splash! It wet all of us. Ruff went out of sight. Then he
rolled up like a huge hog. We were all scared now. That dip's rank poison,
you know. Reckon Ruff knew that. He floundered along an' crawled up at the
end. Anyone could see that he had mouth an' eyes tight shut. He began to
grope an' feel around, trying to find the way to the pond. One of the men
led him out. It was great to see him wade in the water an' wallow an' souse
his head under. When he came out the men got in front of him any stopped
him. He shore looked bad. . . . An' Glenn called to him, 'Ruff, that
sheep-dip won't go through your tough hide, but a bullet will!"
Not long after this incident Carley started out on her usual afternoon
The Call of the Canyon |
