Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Jack Kevorkian

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Count of Monte Cristo by Alexandre Dumas:

his lips, and lowering himself noiselessly into the sea, swam towards the shore with such precaution that it was impossible to hear the slightest sound; he could only be traced by the phosphorescent line in his wake. This track soon disappeared; it was evident that he had touched the shore. Every one on board remained motionless for half an hour, when the same luminous track was again observed, and the swimmer was soon on board. "Well?" exclaimed Franz and the sailors in unison.

"They are Spanish smugglers," said he; "they have with them two Corsican bandits."


The Count of Monte Cristo
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In a German Pension by Katherine Mansfield:

"I believe there are some at certain seasons. But doubtless they have not the same symbolical value for the English. In Germany--"

"I have never been to England," interrupted Fraulein Sonia, "but I have many English acquaintances. They are so cold!" She shivered.

"Fish-blooded," snapped Frau Godowska. "Without soul, without heart, without grace. But you cannot equal their dress materials. I spent a week in Brighton twenty years ago, and the travelling cape I bought there is not yet worn out--the one you wrap the hot-water bottle in, Sonia. My lamented husband, your father, Sonia, knew a great deal about England. But the more he knew about it the oftener he remarked to me, 'England is merely an island of beef flesh swimming in a warm gulf sea of gravy.' Such a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Last War: A World Set Free by H. G. Wells:

sensitive to detail, saw things far more comprehensively than the minds of most of his contemporaries. Usually the teeming sphere moved on to its predestined ends and circled with a stately swiftness on its path about the sun. Usually it was all a living progress that altered under his regard. But now fatigue a little deadened him to that incessancy of life, it seemed now just an eternal circling. He lapsed to the commoner persuasion of the great fixities and recurrencies of the human routine. The remoter past of wandering savagery, the inevitable changes of to-morrow were veiled, and he saw only day and night, seed-time and harvest, loving and begetting, births and deaths, walks in the


The Last War: A World Set Free
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Coxon Fund by Henry James:

who by doing most for her husband had in the long run done most for herself; and the warm confidence with which he had laid his length upon them was a pressure gentle compared with her stiffer persuadability. I'm bound to say he didn't criticise his benefactors, though practically he got tired of them; she, however, had the highest standards about eleemosynary forms. She offered the odd spectacle of a spirit puffed up by dependence, and indeed it had introduced her to some excellent society. She pitied me for not knowing certain people who aided her and whom she doubtless patronised in turn for their luck in not knowing me. I dare say I should have got on with her better if she had had a ray of