Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Jackie Chan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Paradise Lost by John Milton:

Invoke thy aid to my adventurous song, That with no middle flight intends to soar Above th' Aonian mount, while it pursues Things unattempted yet in prose or rhyme. And chiefly thou, O Spirit, that dost prefer Before all temples th' upright heart and pure, Instruct me, for thou know'st; thou from the first Wast present, and, with mighty wings outspread, Dove-like sat'st brooding on the vast Abyss, And mad'st it pregnant: what in me is dark Illumine, what is low raise and support;


Paradise Lost
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Crisis in Russia by Arthur Ransome:

No book is entirely objective, so I do not in the least mind stating my own reason for writing this one (which has taken time that I should have liked to spend on other and very different things). Knowledge of this reason will permit the reader to make allowances for such bias I have been unable to avoid, and so, by judicious reading, to make my book perhaps nearly as objective as I should myself wish it to be.

It has been said that when two armies face each other across a battle front and engage in mutual slaughter, they may be considered as a single army engaged in suicide. Now it

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Collection of Antiquities by Honore de Balzac:

almost opposite the prefecture, with a neat little court in front. A row of old-fashioned iron railings between two brick-work piers enclosed it from the street; and a low wall, also of brick, with a second row of railings along the top, connected the piers with the neighboring house. The little court, a space about ten fathoms in width by twenty in length, was cut in two by a brick pathway which ran from the gate to the house door between a border on either side. Those borders were always renewed; at every season of the year they exhibited a successful show of blossom, to the admiration of the public. All along the back of the gardenbeds a quantity of climbing plants grew up and covered the walls of the neighboring houses with a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Elixir of Life by Honore de Balzac:

thing about the dying face was its incredible power. It was no ordinary spirit that wrestled there with Death. The eyes glared with strange fixity of gaze from the cavernous sockets hollowed by disease. It seemed as if Bartolommeo sought to kill some enemy sitting at the foot of his bed by the intent gaze of dying eyes. That steady remorseless look was the more appalling because the head that lay upon the pillow was passive and motionless as a skull upon a doctor's table. The outlines of the body, revealed by the coverlet, were no less rigid and stiff; he lay there as one dead, save for those eyes. There was something automatic about the moaning sounds that came from the mouth. Don Juan felt