Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for James Gandolfini

The first excerpt represents the past or something you must release, and is drawn from The Cruise of the Jasper B. by Don Marquis:

ornament of the sort that Cleggett had ever seen; he was near enough to the fellow to make out that it had been carved from a piece of solid ivory in the likeness of a skull. In the eyeholes of the skull two opals flamed with an evil levin. The man suggested to Cleggett, at first glance, a bartender who had come into money, or a drayman who had been promoted to an important office in a labor union and was spending the most of a considerable salary on his person. And yet his face, more closely observed, somehow gave the lie to his clothes, for it was not lacking in the signs of intelligence. In spite of his taste, or rather lack of taste, there was no hint of weakness in his

The second excerpt represents the present or the deciding factor of the moment, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

in the evening I put on my housewife's dress to please you.

HARDCASTLE. Well, remember, I insist on the terms of our agreement; and, by the bye, I believe I shall have occasion to try your obedience this very evening.

MISS HARDCASTLE. I protest, sir, I don't comprehend your meaning.

HARDCASTLE. Then to be plain with you, Kate, I expect the young gentleman I have chosen to be your husband from town this very day. I have his father's letter, in which he informs me his son is set out, and that he intends to follow himself shortly after.

MISS HARDCASTLE. Indeed! I wish I had known something of this before. Bless me, how shall I behave? It's a thousand to one I


She Stoops to Conquer
The third excerpt represents the future or something you must embrace, and is drawn from Pericles by William Shakespeare:

The tomb where grief should sleep, can breed me quiet? Here pleasures court mine eyes, and mine eyes shun them, And danger, which I fear'd, is at Antioch, Whose arm seems far too short to hit me here: Yet neither pleasure's art can joy my spirits, Nor yet the other's distance comfort me. Then it is thus: the passions of the mind, That have their first conception by mis-dread Have after-nourishment and life by care; And what was first but fear what might he done, Grows elder now and cares it be not done.