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Today's Stichomancy for James Gandolfini

The first excerpt represents the past or something you must release, and is drawn from Fanny Herself by Edna Ferber:

"My car's waiting," said Fenger. "Won't you let me take you home?"

A warning pressure from Theodore. "Thanks, no. We have a car. Theodore's very tired."

"I can quite believe that."

"Not tired," growled Theodore, like a great boy. "I'm hungry. Starved. I never eat before playing."

Kurt Stein, Theodore's manager, had been hovering over him solicitously. "You must remember to-morrow night. I should advise you to rest now, as quickly as possible." He, too, glared at Fenger.


Fanny Herself
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Gone With the Wind by Margaret Mitchell:

servants had gone to a funeral and the children were playing in Melanie's back yard. Melanie--

Melanie! Scarlett went cold at the thought of her as she climbed the stairs to her room. Melanie would hear of this. India had said she would tell her. Oh, India would glory in telling her, not caring if she blackened Ashley's name, not caring if she hurt Melanie, if by so doing she could injure Scarlett! And Mrs. Elsing would talk too, even though she had really seen nothing, because she was behind India and Archie in the door of the lumber office. But she would talk, just the same. The news would be all over town by supper time. Everyone, even the negroes, would know by


Gone With the Wind
The third excerpt represents the future or something you must embrace, and is drawn from Twenty Years After by Alexandre Dumas:

Gondy withdrew, distributing benedictions on his way, and finding a malicious satisfaction in causing the adherents of his foes to prostrate themselves at his feet.

"Oh!" he murmured, as he left the threshold of the palace: "ungrateful court! faithless court! cowardly court! I will teach you how to laugh to-morrow -- but in another manner."

But whilst they were indulging in extravagant joy at the Palais Royal, to increase the hilarity of the queen, Mazarin, a man of sense, and whose fear, moreover, gave him foresight, lost no time in making idle and dangerous jokes; he went out after the coadjutor, settled his account, locked


Twenty Years After