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Today's Stichomancy for James Joyce

The first excerpt represents the past or something you must release, and is drawn from Juana by Honore de Balzac:

Madame Diard knew nothing of her husband's infernal life. Glad of his abandonment, she felt no curiosity about him, and all her hours were occupied. She devoted what money she had to the education of her children, wishing to make men of them, and giving them straight- forward reasons, without, however, taking the bloom from their young imaginations. Through them alone came her interests and her emotions; consequently, she suffered no longer from her blemished life. Her children were to her what they are to many mothers for a long period of time,--a sort of renewal of their own existence. Diard was now an accidental circumstance, not a participator in her life, and since he had ceased to be the father and the head of the family, Juana felt

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Polity of Athenians and Lacedaemonians by Xenophon:

judgment the ignorance and baseness of this fellow, together with his goodwill, are worth a great deal more to them than your superior person's virtue and wisdom, coupled with animosity. What it comes to, therefore, is that a state founded upon such institutions will not be the best state;[17] but, given a democracy, these are the right means to procure its preservation. The People, it must be borne in mind, does not demand that the city should be well governed and itself a slave. It desires to be free and to be master.[18] As to bad legislation it does not concern itself about that.[19] In fact, what you believe to be bad legislation is the very source of the People's strength and freedom. But if you seek for good legislation, in the

The third excerpt represents the future or something you must embrace, and is drawn from Sylvie and Bruno by Lewis Carroll:

plate, where it instantly attaches itself to the mutton already there. Soon one of the plates, furnished with a complete slice of mutton and two potatoes, was handed up to the presiding gentleman, who quietly replaced the slice on the joint, and the potatoes in the dish.

Their conversation was, if possible, more bewildering than their mode of dining. It began by the youngest girl suddenly, and without provocation, addressing her eldest sister. "Oh, you wicked story-teller!" she said.

I expected a sharp reply from the sister; but, instead of this, she turned laughingly to her father, and said, in a very loud stage-whisper, "To be a bride!"


Sylvie and Bruno