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Today's Stichomancy for James Joyce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

clump of dicentra strung its bending stalk with hearts of pink.

But of greater interest were the yards beyond. Being for the most part attached to boarding-houses they were in a state of chronic untidiness and fluttering, on certain days of the week, with miscellaneous garments and frayed table-cloths. In spite of this Mrs. Manstey found much to admire in the long vista which she commanded. Some of the yards were, indeed, but stony wastes, with grass in the cracks of the pavement and no shade in spring save that afforded by the intermittent leafage of the clothes- lines. These yards Mrs. Manstey disapproved of, but the others, the green ones, she loved. She had grown used to their disorder;

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

his head, which was at first buried in his hands, he slowly raised, and turned upon me a countenance from which hope had fled. I saw it first on the black window-panes, my last night in Durrisdeer; it haunted and returned upon me half the voyage through; and yet it was no effect of lunacy, for I have come to a ripe old age with no decay of my intelligence; nor yet (as I was then tempted to suppose) a heaven-sent warning of the future, for all manner of calamities befell, not that calamity - and I saw many pitiful sights, but never that one.

It was decided we should travel on all night; and it was singular, once the dusk had fallen, my spirits somewhat rose. The bright

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

lamp is not upset, and there is only a careful hand held round it to prevent the puffs of wind from blowing the flame out. That's what I call an old man.

Now, said the Professor, you don't mean to tell me that I have got to that yet? Why, bless you, I am several years short of the time when - [I knew what was coming, and could hardly keep from laughing; twenty years ago he used to quote it as one of those absurd speeches men of genius will make, and now he is going to argue from it] - several years short of the time when Balzac says that men are - most - you know - dangerous to - the hearts of - in short, most to be dreaded by duennas that have charge of


The Autocrat of the Breakfast-Table
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Commission in Lunacy by Honore de Balzac:

this royal hue. Her hair was dressed like a girl's in bands ending in curls, which emphasized the rather long oval of her face; but an oval face is as majestic as a round one is ignoble. The mirrors, cut with facets to lengthen or flatten the face at will, amply proved the rule as applied to the physiognomy.

On seeing Popinot, who stood in the doorway craning his neck like a startled animal, with his left hand in his pocket, and the right hand holding a hat with a greasy lining, the Marquise gave Rastignac a look wherein lay a germ of mockery. The good man's rather foolish appearance was so completely in harmony with his grotesque figure and scared looks, that Rastignac, catching sight of Bianchon's dejected