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Today's Stichomancy for James Joyce

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Kidnapped by Robert Louis Stevenson:

Campbells' head place; with fifteen Campbells in the jury-box and the biggest Campbell of all (and that's the Duke) sitting cocking on the bench. Justice, David? The same justice, by all the world, as Glenure found awhile ago at the roadside."

This frightened me a little, I confess, and would have frightened me more if I had known how nearly exact were Alan's predictions; indeed it was but in one point that he exaggerated, there being but eleven Campbells on the jury; though as the other four were equally in the Duke's dependence, it mattered less than might appear. Still, I cried out that he was unjust to the Duke of Argyle, who (for all he was a Whig) was yet a wise and honest


Kidnapped
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Roads of Destiny by O. Henry:

Then a patient-looking little man with hair turning gray along the temples would come down the steps and shake hands with each one of the party. All Elmville shook hands when it met.

The formalities concluded, the little man would go back to his table, heaped with law books and papers, while the procession would proceed.

Billy Pemberton was, as his sign declared, a lawyer by profession. By occupation and common consent he was the Son of his Father. This was the shadow in which Billy lived, the pit out of which he had unsuccessfully striven for years to climb and, he had come to believe, the grave in which his ambitions were destined to be buried. Filial respect and duty he paid beyond the habit of most sons, but he aspired

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Midsummer Night's Dream by William Shakespeare:

Vnknowne; the Poets pen turnes them to shapes, And giues to aire nothing, a locall habitation, And a name. Such tricks hath strong imagination, That if it would but apprehend some ioy, It comprehends some bringer of that ioy. Or in the night, imagining some feare, Howe easie is a bush suppos'd a Beare? Hip. But all the storie of the night told ouer, And all their minds transfigur'd so together, More witnesseth than fancies images, And growes to something of great constancie;


A Midsummer Night's Dream
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Myths and Myth-Makers by John Fiske:

gentle Aphrodite, but even the god of battles himself, the terrible Ares. Nestor quaffs lightly from a goblet which, we are told, not two men among the poet's contemporaries could by their united exertions raise and place upon a table. Aias and Hektor and Aineias hurl enormous masses of rock as easily as an ordinary man would throw a pebble. All this shows that the poet, in his naive way, conceiving of these heroes as personages of a remote past, was endeavouring as far as possible to ascribe to them the attributes of superior beings. If all that were divine, marvellous, or superhuman were to be left out of the poems, the supposed historical residue would


Myths and Myth-Makers