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Today's Stichomancy for Jane Fonda

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gorgias by Plato:

their original possessions; not that you are the authors of these misfortunes of theirs, although you may perhaps be accessories to them. A great piece of work is always being made, as I see and am told, now as of old; about our statesmen. When the State treats any of them as malefactors, I observe that there is a great uproar and indignation at the supposed wrong which is done to them; 'after all their many services to the State, that they should unjustly perish,'--so the tale runs. But the cry is all a lie; for no statesman ever could be unjustly put to death by the city of which he is the head. The case of the professed statesman is, I believe, very much like that of the professed sophist; for the sophists, although they are wise men, are nevertheless guilty of a strange piece of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Stories From the Old Attic by Robert Harris:

face, and no doubt he thought, "What a sight she is."

Well, I've told you this story as evidence of the foolishness and irrationality of the human heart. For now observe the consequent:

The first young lady, naturally concerned for her safety and realizing that she possessed knowledge that her young man did not, quite reasonably chose to change the tire. However, the young man, fool that he was, was never seen escorting this capable and logical young lady again.

The second young lady, very sensibly concerned about preserving an expensive dress and realizing that she would be of little or no help to her young man, showed a similar wisdom in avoiding what she knew

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Human Drift by Jack London:

that sweet and innocent exterior . . . according to your philosophy!

NED. [Earnestly.] Loretta is an exception, I confess. She is all that you said in your letter. She is a little fairy, an angel. I never dreamed of anything like her. It is remarkable to find such a woman in this age.

ALICE HEMINGWAY. [Encouragingly.] She is so naive.

NED. [Taking the bait.] Yes, isn't she? Her face and her tongue betray all her secrets.

ALICE HEMINGWAY. [Nodding her head.] Yes, I have noticed it.

NED. [Delightedly.] Have you?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from To-morrow by Joseph Conrad:

world, barring England, perhaps, where you could not find some man, or more likely woman, that would remember me for Harry Hagberd. I am more like Harry Hagberd than any man alive; and I can prove it to you in a minute, if you will let me step inside your gate."

"Come in," she said.

He entered then the front garden of the Carvils. His tall shadow strode with a swagger; she turned her back on the window and waited, watching the shape, of which the footfalls seemed the most mate-


To-morrow