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Today's Stichomancy for Jane Fonda

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Human Drift by Jack London:

say.

[ALICE HEMINGWAY laughs teasingly and goes out to right.]

[NED hesitates, starts to follow her, looks at LORETTA, and stops. He twists his moustache and continues to look at her meditatively.]

[LORETTA is unaware of his presence and goes on reading. Finishes letter, folds it, replaces in envelope, looks up, and discovers NED.]

LORETTA. [Startled.] Oh! I thought you were gone.

NED. [Walking across to her.] I thought I'd stay and finish our conversation.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

we run beneath spreading trees; when land carnivora threaten us, we climb into trees, and we have learned not to fire at any of the dinosaurs unless we can keep out of their reach for at least two minutes after hitting them in the brain or spine, or five minutes after puncturing their hearts--it takes them so long to die. To hit them elsewhere is worse than useless, for they do not seem to notice it, and we had discovered that such shots do not kill or even disable them.

September 7, 1916: Much has happened since I last wrote. Bradley is away again on another exploration expedition to the cliffs. He expects to be gone several weeks and to follow along their base in search of


The Land that Time Forgot
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

He brought it back again, grinning.

"Thought you had me, didn't you?" he observed to the car in general, and the engine in particular. "Now no tricks!"

There was a wounded man in the car. He had had morphia and he was very comfortable. He was not badly hurt, and he considered that he was being taken to Calais. He was too tired to talk, and the swinging of the car rather interested him. He would doze and waken and doze again. But at last he heard something that made him rise on his elbow.

It was the hammering of the big guns.

He called Henri's attention to this, but Henri said:

"Lie down, Jean, and don't talk. We'll make it yet."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Master and Man by Leo Tolstoy:

muffled himself up, and settled down once more.

Once he fancied that he heard a distant cock-crow. He felt glad, turned down his coat-collar and listened with strained attention, but in spite of all his efforts nothing could be heard but the wind whistling between the shafts, the flapping of the kerchief, and the snow pelting against the frame of the sledge.

Nikita sat just as he had done all the time, not moving and not even answering Vasili Andreevich who had addressed him a couple of times. 'He doesn't care a bit--he's probably asleep!' thought Vasili Andreevich with vexation, looking


Master and Man