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Today's Stichomancy for Jane Fonda

The first excerpt represents the past or something you must release, and is drawn from Buttered Side Down by Edna Ferber:

particular about choosing "lookers," with especial attention to figure, hair, and finger nails. Gertie was a looker. Providence had taken care of that. But you cannot leave your hair and finger nails to Providence. They demand coaxing with a bristle brush and an orangewood stick.

Now clerking, as Gertie would tell you, is fierce on the feet. And when your feet are tired you are tired all over. Gertie's feet were tired every night. About eight-thirty she longed to peel off her clothes, drop them in a heap on the floor, and tumble, unbrushed, unwashed, unmanicured, into bed. She never did it.

Things had been particularly trying to-night. After washing


Buttered Side Down
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Life in the Iron-Mills by Rebecca Davis:

chipping and moulding figures,--hideous, fantastic enough, but sometimes strangely beautiful: even the mill-men saw that, while they jeered at him. It was a curious fancy in the man, almost a passion. The few hours for rest he spent hewing and hacking with his blunt knife, never speaking, until his watch came again,--working at one figure for months, and, when it was finished, breaking it to pieces perhaps, in a fit of disappointment. A morbid, gloomy man, untaught, unled, left to feed his soul in grossness and crime, and hard, grinding labor.

I want you to come down and look at this Wolfe, standing there among the lowest of his kind, and see him just as he is, that


Life in the Iron-Mills
The third excerpt represents the future or something you must embrace, and is drawn from The Tenant of Wildfell Hall by Bronte Sisters:

as I had reached that tree, that you came out into the garden with your friend. Not choosing to show myself, under the circumstances, I stood still, in the shadow, till you had both passed by.'

'And how much of our conversation did you hear?'

'I heard quite enough, Helen. And it was well for me that I did hear it; for nothing less could have cured my infatuation. I always said and thought, that I would never believe a word against you, unless I heard it from your own lips. All the hints and affirmations of others I treated as malignant, baseless slanders; your own self-accusations I believed to be overstrained; and all that seemed unaccountable in your position I trusted that you could


The Tenant of Wildfell Hall