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Today's Stichomancy for Jane Fonda

The first excerpt represents the past or something you must release, and is drawn from Adventure by Jack London:

the other. Blacks he must have, and, if Joan were fortunate in getting a schooner, three months at least must elapse before the first recruits could be landed on Berande.

A week after the Upolu's departure, the Malakula dropped anchor and her skipper came ashore for a game of billiards and to gossip until the land breeze sprang up. Besides, as he told his super-cargo, he simply had to come ashore, not merely to deliver the large package of seeds with full instructions for planting from Joan, but to shock Sheldon with the little surprise born of information he was bringing with him.

Captain Auckland played the billiards first, and it was not until

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Juana by Honore de Balzac:

to his assistance. At the moment when he stationed himself at his window, he saw, on the black wall of the courtyard, a circle of light, in the centre of which the silhouette of Juana was clearly defined; the consecutive movement of the arms, and the attitude, gave evidence that she was arranging her hair for the night.

"Is she alone?" Montefiore asked himself; "could I, without danger, lower a letter filled with coin and strike it against that circular window in her hiding-place?"

At once he wrote a note, the note of a man exiled by his family to Elba, the note of a degraded marquis now a mere captain of equipment. Then he made a cord of whatever he could find that was capable of

The third excerpt represents the future or something you must embrace, and is drawn from Gorgias by Plato:

addresses the Athenian assembly and the assemblies of freemen in other states? Do the rhetoricians appear to you always to aim at what is best, and do they seek to improve the citizens by their speeches, or are they too, like the rest of mankind, bent upon giving them pleasure, forgetting the public good in the thought of their own interest, playing with the people as with children, and trying to amuse them, but never considering whether they are better or worse for this?

CALLICLES: I must distinguish. There are some who have a real care of the public in what they say, while others are such as you describe.

SOCRATES: I am contented with the admission that rhetoric is of two sorts; one, which is mere flattery and disgraceful declamation; the other, which