| The first excerpt represents the past or something you must release, and is drawn from Albert Savarus by Honore de Balzac: Albert. Of course, she exaggerated the greatness, remarkable as it
was, of this lofty soul and potent will, and her love for Albert
thenceforth became a passion, its violence enhanced by all the
strength of her youth, the weariness of her solitude, and the unspent
energy of her character. Love is in a young girl the effect of a
natural law; but when her craving for affection is centered in an
exceptional man, it is mingled with the enthusiasm which overflows in
a youthful heart. Thus Mademoiselle de Watteville had in a few days
reached a morbid and very dangerous stage of enamored infatuation. The
Baroness was much pleased with her daughter, who, being under the
spell of her absorbing thoughts, never resisted her will, seemed to be
 Albert Savarus |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Country Doctor by Honore de Balzac: before me, but I had no need of a spur. The conscience within me spoke
loudly enough already. A woman had placed a generous confidence in me.
I had lied to her from the first; I had told her that I loved her, and
then I had cast her off; I had brought all this sorrow upon an unhappy
girl who had braved the opinion of the world for me, and who therefore
should have been sacred in my eyes. She had died forgiving me. Her
implicit trust in the word of a man who had once before broken his
promise to her effaced the memory of all her pain and grief, and she
slept in peace. Agatha, who had given me her girlish faith, had found
in her heart another faith to give me--the faith of a mother. Oh! sir,
the child, HER child! God alone can know all that he was to me! The
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The third excerpt represents the future or something you must embrace, and is drawn from King Henry VI by William Shakespeare: These hands are free from guiltless bloodshedding,
This breast from harbouring foul deceitful thoughts.
O, let me live!
CADE.
[Aside.] I feel remorse in myself with his words, but I'll bridle
it; he shall die, an it be but for pleading so well for his
life.--
Away with him! he has a familiar under his tongue; he speaks not
o' God's name. Go, take him away, I say, and strike off his head
presently; and then break into his son-in-law's house, Sir James
Cromer, and strike off his head, and bring them both upon two
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