The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Amazing Interlude by Mary Roberts Rinehart: He brought it back again, grinning.
"Thought you had me, didn't you?" he observed to the car in general, and
the engine in particular. "Now no tricks!"
There was a wounded man in the car. He had had morphia and he was very
comfortable. He was not badly hurt, and he considered that he was being
taken to Calais. He was too tired to talk, and the swinging of the car
rather interested him. He would doze and waken and doze again. But at
last he heard something that made him rise on his elbow.
It was the hammering of the big guns.
He called Henri's attention to this, but Henri said:
"Lie down, Jean, and don't talk. We'll make it yet."
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Master and Man by Leo Tolstoy: muffled himself up, and settled down once more.
Once he fancied that he heard a distant cock-crow. He felt
glad, turned down his coat-collar and listened with strained
attention, but in spite of all his efforts nothing could be
heard but the wind whistling between the shafts, the flapping
of the kerchief, and the snow pelting against the frame of the
sledge.
Nikita sat just as he had done all the time, not moving and not
even answering Vasili Andreevich who had addressed him a
couple of times. 'He doesn't care a bit--he's probably
asleep!' thought Vasili Andreevich with vexation, looking
Master and Man |