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Today's Stichomancy for Jane Fonda

The first excerpt represents the past or something you must release, and is drawn from Misalliance by George Bernard Shaw:

bond. It's like a corset: it's a support to the figure even if it does squeeze and deform it a bit. I want to be free.

HYPATIA. Well, I'm tempting you to be free.

PERCIVAL. Not at all. Freedom, my good girl, means being able to count on how other people will behave. If every man who dislikes me is to throw a handful of mud in my face, and every woman who likes me is to behave like Potiphar's wife, then I shall be a slave: the slave of uncertainty: the slave of fear: the worst of all slaveries. How would you like it if every laborer you met in the road were to make love to you? No. Give me the blessed protection of a good stiff conventionality among thoroughly well-brought up ladies and gentlemen.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Unconscious Comedians by Honore de Balzac:

departed grandmothers, living children, deceased husbands, dead granddaughters,--memories set in gold and diamonds. She learned appalling stories by making her clients talk of one another; tearing their secrets from them in moments of passion, of quarrels, of anger, and during those cooler negotiations which need a loan to settle difficulties.

"Why were you ever induced to take up such a business?" asked Gazonal.

"For my son's sake," she said naively.

Such women almost invariably justify their trade by alleging noble motives. Madame Nourrisson posed as having lost several opportunities for marriage, also three daughters who had gone to the bad, and all

The third excerpt represents the future or something you must embrace, and is drawn from Burning Daylight by Jack London:

herded by themselves. But Daylight, who had panned the spotted rim of Carmack's claim and shaken coarse gold from the grass-roots, and who had panned the rim at a hundred other places up and down the length of the creek and found nothing, was curious to know what lay on bed-rock. He had noted the four quiet men sinking a shaft close by the stream, and he had heard their whip-saw going as they made lumber for the sluice boxes. He did not wait for an invitation, but he was present the first day they sluiced. And at the end of five hours' shovelling for one man, he saw them take out thirteen ounces and a half of gold.

It was coarse gold, running from pinheads to a twelve-dollar