| The first excerpt represents the past or something you must release, and is drawn from Flame and Shadow by Sara Teasdale: Phlox before my door are wound
In dripping wreaths of amethyst.
Ten feet away the solid earth
Changes into melting cloud,
There is a hush of pain and mirth,
No bird has heart to speak aloud.
Here in a world without a sky,
Without the ground, without the sea,
The one unchanging thing is I,
Myself remains to comfort me.
Arcturus
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from On Horsemanship by Xenophon: advantage. Presently, as he falls into a natural trot,[13] he will
gradually relax his limbs without the slightest suffering, and so come
more agreeably to the gallop.[14] Since, too, the preference is given
to starting on the left foot, it will best conduce to that lead if,
while the horse is still trotting, the signal to gallop should be
given at the instant of making a step with his right foot.[15] As he
is on the point of lifting his left foot he will start upon it, and
while turning left will simultaneously make the first bound of the
gallop;[16] since, as a matter of instinct, a horse, on being turned
to the right, leads off with his right limbs, and to the left with his
left.
 On Horsemanship |
The third excerpt represents the future or something you must embrace, and is drawn from A House of Pomegranates by Oscar Wilde: empire of the New World. He had hardly ever permitted her to be
out of his sight; for her, he had forgotten, or seemed to have
forgotten, all grave affairs of State; and, with that terrible
blindness that passion brings upon its servants, he had failed to
notice that the elaborate ceremonies by which he sought to please
her did but aggravate the strange malady from which she suffered.
When she died he was, for a time, like one bereft of reason.
Indeed, there is no doubt but that he would have formally abdicated
and retired to the great Trappist monastery at Granada, of which he
was already titular Prior, had he not been afraid to leave the
little Infanta at the mercy of his brother, whose cruelty, even in
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