| The first excerpt represents the past or something you must release, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs: hands, one upon either side of the Wieroo's body, his right hand
upon the hilt of the spare sword lying at the left of Him Who
Speaks for Luata.
"This then is the secret of both life and death," he whispered,
and at the same instant he grasped the Wieroo by the right wrist
and with his own right hand swung the extra blade in a sudden
vicious blow against the creature's neck before the thing could
give even a single cry of alarm; then without waiting an instant
Bradley leaped past the dead god and vanished behind the hides
that had hidden the girl.
Wide-eyed and panting the girl seized his arm. "Oh, what have
 Out of Time's Abyss |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Ball at Sceaux by Honore de Balzac: that of this darling daughter. To understand all the obstacles we must
make our way into the fine residence where the official was housed at
the expense of the nation. Emilie had spent her childhood on the
family estate, enjoying the abundance which suffices for the joys of
early youth; her lightest wishes had been law to her sisters, her
brothers, her mother, and even her father. All her relations doted on
her. Having come to years of discretion just when her family was
loaded with the favors of fortune, the enchantment of life continued.
The luxury of Paris seemed to her just as natural as a wealth of
flowers or fruit, or as the rural plenty which had been the joy of her
first years. Just as in her childhood she had never been thwarted in
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The third excerpt represents the future or something you must embrace, and is drawn from Confessio Amantis by John Gower: And hath don sithen it began,
And schal whil ther is any man;
And that is love, of which I mene
To trete, as after schal be sene.
In which ther can noman him reule,
For loves lawe is out of reule,
That of tomoche or of tolite
Welnyh is every man to wyte, 20
And natheles ther is noman
In al this world so wys, that can
Of love tempre the mesure,
 Confessio Amantis |