| The first excerpt represents the past or something you must release, and is drawn from To the Lighthouse by Virginia Woolf: spasm of repentance or shyness, pulled himself up, and waved his hand
towards the shore.
"See the little house," he said pointing, wishing Cam to look. She
raised herself reluctantly and looked. But which was it? She could no
longer make out, there on the hillside, which was their house. All
looked distant and peaceful and strange. The shore seemed refined, far
away, unreal. Already the little distance they had sailed had put them
far from it and given it the changed look, the composed look, of
something receding in which one has no longer any part. Which was
their house? She could not see it.
"But I beneath a rougher sea," Mr Ramsay murmured. He had found the
 To the Lighthouse |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from St. Ives by Robert Louis Stevenson: sometimes disappeared, sometimes blinked across at us no brighter
than the eyes of cats; and five steps from one of the lanterns on
the ramparts it was already groping dark. We made haste to lie
down. Had our jailers been upon the watch, they must have observed
our conversation to die out unusually soon. Yet I doubt if any of
us slept. Each lay in his place, tortured at once with the hope of
liberty and the fear of a hateful death. The guard call sounded;
the hum of the town declined by little and little. On all sides of
us, in their different quarters, we could hear the watchman cry the
hours along the street. Often enough, during my stay in England,
have I listened to these gruff or broken voices; or perhaps gone to
|
The third excerpt represents the future or something you must embrace, and is drawn from Flame and Shadow by Sara Teasdale: My soul is a dark ploughed field
In the cold rain;
My soul is a broken field
Ploughed by pain.
Where grass and bending flowers
Were growing,
The field lies broken now
For another sowing.
Great Sower when you tread
My field again,
Scatter the furrows there
|