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Today's Stichomancy for Jayne Mansfield

The first excerpt represents the past or something you must release, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

hand.

"Frank," says he, "you know what we swore; and yet there is no oath invented would induce me to swallow such expressions, if I did not regard you with sincere affection. It is impossible you should doubt me there: I have given proofs. Dutton I had to take, because he knew the pass, and Grady because Dutton would not move without him; but what call was there to carry you along? You are a perpetual danger to me with your cursed Irish tongue. By rights you should now be in irons in the cruiser. And you quarrel with me like a baby for some trinkets!"

I considered this one of the most unhandsome speeches ever made;

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Voyage to Arcturus by David Lindsay:

wonder came into his own countenance. In the moment of death Crimtyphon's face had undergone a startling and even shocking alteration. Its personal character had wholly vanished, giving place to a vulgar, grinning mask which expressed nothing.

He did not have to search his mind long, to remember where he had seen the brother of that expression. It was identical with that on the face of the apparition at the seance, after Krag had dealt with it.

Chapter 10

TYDOMIN

Oceaxe sat down carelessly on the couch of mosses , and began eating

The third excerpt represents the future or something you must embrace, and is drawn from Life in the Iron-Mills by Rebecca Davis:

disappointment. A morbid, gloomy man, untaught, unled, left to feed his soul in grossness and crime, and hard, grinding labor.

I want you to come down and look at this Wolfe, standing there among the lowest of his kind, and see him just as he is, that you may judge him justly when you hear the story of this night. I want you to look back, as he does every day, at his birth in vice, his starved infancy; to remember the heavy years he has groped through as boy and man,--the slow, heavy years of constant, hot work. So long ago he began, that he thinks sometimes he has worked there for ages. There is no hope that it will ever end. Think that God put into this man's soul a


Life in the Iron-Mills