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Today's Stichomancy for Jayne Mansfield

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In the South Seas by Robert Louis Stevenson:

computing the extent of Francois's ravages; and presently after she was observed in high speech with Taniera, who seemed to hang an ear like one reproved.

Here, then, by all known marks, should be my land-lady at last; here was every character of the proprietor fully developed. Should I not approach her on the still depending question of my rent? I carried the point to an adviser. 'Nonsense!' he cried. 'That's the old woman, the mother. It doesn't belong to her. I believe that's the man the house belongs to,' and he pointed to one of the coloured photographs on the wall. On this I gave up all desire of understanding; and when the time came for me to leave, in the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

subtle minds. It seems that the hundred-times-refuted theory of the "free will" owes its persistence to this charm alone; some one is always appearing who feels himself strong enough to refute it.

19. Philosophers are accustomed to speak of the will as though it were the best-known thing in the world; indeed, Schopenhauer has given us to understand that the will alone is really known to us, absolutely and completely known, without deduction or addition. But it again and again seems to me that in this case Schopenhauer also only did what philosophers are in the habit of doing-he seems to have adopted a POPULAR PREJUDICE and exaggerated it.


Beyond Good and Evil
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Monster Men by Edgar Rice Burroughs:

of the captive walking between two of the Dyaks of Muda Saffir's company. At the same instant he recognized the evil features of the rajah as those of the man who had directed the abduction of Virginia Maxon from the wrecked Ithaca.

Like a great cat Bulan drew himself cautiously to all fours-- every nerve and muscle taut with the excitement of the moment. Before him he saw a hundred and fifty ferocious Borneo head hunters, armed with parangs, spears and sumpitans. At his back slept two almost brainless creatures--his sole support against the awful odds he must face before he could hope to succor the divinity whose image


The Monster Men
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Egmont by Johann Wolfgang Von Goethe:

Ruysum. Let me tell you!--He shoots like his master, he shoots like Egmont.

Buyck. Compared with him I am only a bungler. He aims with the rifle as no one else does. Not only when he's lucky or in the vein; no! he levels, and the bull's-eye is pierced. I have learned from him. He were indeed a blockhead, who could serve under him and learn nothing!--But, sirs, let us not forget! A king maintains his followers; and so, wine here, at the king's charge!

Jetter. We have agreed among ourselves that each--

Buyck. I am a foreigner, and a king, and care not a jot for your laws and customs.


Egmont