Today's Stichomancy for Jean Piaget

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Prince Otto by Robert Louis Stevenson:

the Princess Ratafia. Yes, 'tis done. I have the order all in Ratafia's hand; I carry it on my heart. At the hour of twelve to- night, Prince Featherhead is to be taken in his bed and, like the bambino, whipped into a chariot; and by next morning he will command a most romantic prospect from the donjon of the Felsenburg. Farewell, Featherhead! The war goes on, the girl is in my hand; I have long been indispensable, but now I shall be sole. I have long,' he added exultingly, 'long carried this intrigue upon my shoulders, like Samson with the gates of Gaza; now I discharge that burthen.'

She had sprung to her feet a little paler. 'Is this true?' she

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

France, hospitals for the reception of the pilgrims."

v. 31. Who.] The Epistle of St. James is here attributed to the elder apostle of that name, whose shrine was at Compostella, in Galicia. Which of the two was the author of it is yet doubtful. The learned and candid Michaelis contends very forcibly for its having been written by James the Elder. Lardner rejects that opinion as absurd; while Benson argues against it, but is well answered by Michaelis, who after all, is obliged to leave the question undecided. See his Introduction to the New Testament, translated by Dr. Marsh, ed. Cambridge, 1793. V. iv. c. 26. - 1, 2, 3.

The Divine Comedy (translated by H.F. Cary)

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Anna Karenina by Leo Tolstoy:

sacrificed, notmerely such trifles, but everything, for his peace of mind, to save him from the agony he was suffering.

"You must understand the horror and comedy of my position," he went on in a desperate whisper; "that he's in my house, that he's done nothing improper positively except his free and easy airs and the way he sits on his legs. He thinks it's the best possible form, and so I'm obliged to be civil to him."

"But, Kostya, you're exaggerating," said Kitty, at the bottom of her heart rejoicing at the depth of his love for her, shown now in his jealousy.

"The most awful part of it all is that you're just as you always

Anna Karenina

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lysis by Plato:

Yes.

But the human body, regarded as a body, is neither good nor evil?

True.

And the body is compelled by reason of disease to court and make friends of the art of medicine?

Yes.

Then that which is neither good nor evil becomes the friend of good, by reason of the presence of evil?

So we may infer.

And clearly this must have happened before that which was neither good nor evil had become altogether corrupted with the element of evil--if itself

Lysis