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Today's Stichomancy for Jean Piaget

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Verses 1889-1896 by Rudyard Kipling:

'E don't obey no orders unless they is 'is own; 'E keeps 'is side-arms awful: 'e leaves 'em all about, An' then comes up the regiment an' pokes the 'eathen out. All along o' dirtiness, all along o' mess, All along o' doin' things rather-more-or-less, All along of abby-nay, kul, an' hazar-ho, * Mind you keep your rifle an' yourself jus' so! * abby-nay: Not now. kul: To-morrow. hazar-ho: Wait a bit.


Verses 1889-1896
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Deputy of Arcis by Honore de Balzac:

Chevalier d'Espard, brother-in-law to the marquise, put down his tea- cup, and, looking round the circle, remarked:--

"Maxime was very melancholy to-night,--didn't you think so?"

"Yes," replied Rastignac, "but his sadness is easily accounted for. He is forty-eight years old; at that age a man makes no new friends, and now that we have buried de Marsay, Maxime has lost the only man capable of understanding him, of being useful to him, and of using him."

"He probably has pressing debts. Couldn't you put him in the way of paying them?" said the marquise to Rastignac.

At this period Rastignac was, for the second time, in the ministry; he

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

and in the centre sat the criminal himself. It was impossible to witness the condition of this unhappy wretch without terror; and yet, as if impelled by some strange infatuation, it was equally impossible not to gaze upon an object so wild, so full of horror. He seemed about thirty-five years of age; of large and muscular form; his countenance marked by strong and savage features; half naked, pale as death, agonized with terror, every limb strained in anguish, his hands clenched convulsively, the sweat breaking out on his bent and contracted brow, he kissed incessantly the figure of our Saviour, painted on the flag which was suspended before him; but with an agony of wildness and despair, of which nothing ever exhibited on the stage


Expression of Emotion in Man and Animals
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Theaetetus by Plato:

pleas and rejoinders to the contemplation of absolute justice or injustice in their own nature, or from the popular praises of wealthy kings to the view of happiness and misery in themselves, or to the reasons why a man should seek after the one and avoid the other, then the situation is reversed; the little wretch turns giddy, and is ready to fall over the precipice; his utterance becomes thick, and he makes himself ridiculous, not to servant-maids, but to every man of liberal education. Such are the two pictures: the one of the philosopher and gentleman, who may be excused for not having learned how to make a bed, or cook up flatteries; the other, a serviceable knave, who hardly knows how to wear his cloak,--still less can he awaken harmonious thoughts or hymn virtue's praises.