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Today's Stichomancy for Jean Piaget

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wife, et al by Anton Chekhov:

"I beg you earnestly that there should be no more assemblies, plots, and meetings of conspirators in my house! I only admit to my house those with whom I am acquainted, and let all your crew find another place to do it if they want to take up philanthropy. I can't allow people at midnight in my house to be shouting hurrah at successfully exploiting an hysterical woman like you!"

My wife, pale and wringing her hands, took a rapid stride across the room, uttering a prolonged moan as though she had toothache. With a wave of my hand, I went into the drawing-room. I was choking with rage, and at the same time I was trembling with terror that I might not restrain myself, and that I might say or

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from 1984 by George Orwell:

of the eyes of the girl, the eyes of the aged prisoner gazed mournfully at Winston out of nests of hair.

Chapter 2

Winston picked his way up the lane through dappled light and shade, stepping out into pools of gold wherever the boughs parted. Under the trees to the left of him the ground was misty with bluebells. The air seemed to kiss one's skin. It was the second of May. From somewhere deeper in the heart of the wood came the droning of ring doves.

He was a bit early. There had been no difficulties about the journey, and the girl was so evidently experienced that he was less frightened than he would normally have been. Presumably she could be trusted to find a safe


1984
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

has been repeatedly attempted, with no other result than to crowd our lunatic asylums with the would-be solvers. Hence, after fruitless attempts to suppress such investigations indirectly by making them liable to a heavy tax, the Legislature, in comparatively recent times, absolutely prohibited them. I -- alas, I alone in Flatland -- know now only too well the true solution of this mysterious problem; but my knowledge cannot be made intelligible to a single one of my countrymen; and I am mocked at -- I, the sole possessor of the truths of Space and of the theory of the introduction of Light from the world of three Dimensions -- as if I were the maddest of the mad!


Flatland: A Romance of Many Dimensions
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Padre Ignacio by Owen Wister:

them, and in their branches he could hear the nightingales. "Empty! Empty!" he said, aloud. And he lay for two days and nights hearing the wind and the nightingales in the far trees of Aranhal. But Felipe, watching, only heard the Padre crying through the hours, "Empty! Empty!"

Then the wind in the trees died down, and the Padre could get out of bed, and soon be in the garden. But the voices within him still talked all the while as he sat watching the sails when they passed between the headlands. Their words, falling for ever the same way, beat his spirit sore, like blows upon flesh already bruised. If he could only change what they said, he would rest.

"Has the Padre any mall for Santa Barbara?" asked Felipe. "The ship