Today's Stichomancy for Jennifer Connelly

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Jane Eyre by Charlotte Bronte:

I walked about the chamber most of the time. I imagined myself only to be regretting my loss, and thinking how to repair it; but when my reflections were concluded, and I looked up and found that the afternoon was gone, and evening far advanced, another discovery dawned on me, namely, that in the interval I had undergone a transforming process; that my mind had put off all it had borrowed of Miss Temple--or rather that she had taken with her the serene atmosphere I had been breathing in her vicinity--and that now I was left in my natural element, and beginning to feel the stirring of old emotions. It did not seem as if a prop were withdrawn, but rather as if a motive were gone: it was not the power to be

Jane Eyre

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Protagoras by Plato:

True, he replied.

And if not base, then honourable?

He admitted this.

And if honourable, then good?

Yes.

But the fear and confidence of the coward or foolhardy or madman, on the contrary, are base?

He assented.

And these base fears and confidences originate in ignorance and uninstructedness?

True, he said.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mountains by Stewart Edward White:

even the stars seemed only so many pinpoints of dull metal, lustreless, without illumination. We felt our way to camp, conscious of the softness of grasses, the uncertainty of stones.

At camp the remains of the fire crouched beneath the rating of the storm. Its embers glowed sullen and red, alternately glaring with a half-formed resolution to rebel, and dying to a sulky resignation. Once a feeble flame sprang up for an instant, but was immediately pounced on and beaten flat as though by a vigilant antagonist.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Domestic Peace by Honore de Balzac:

look at all the men there. This alarm, which crowned the Baron's satisfaction, did not seem to be removed till he said to her, "Make yourself easy; HE is not here."

They thus made their way to an immense picture gallery in a wing of the mansion, where their eyes could feast in anticipation on the splendid display of a collation prepared for three hundred persons. As supper was about to begin, Martial led the Countess to an oval boudoir looking on to the garden, where the rarest flowers and a few shrubs made a scented bower under bright blue hangings. The murmurs of the festivity here died away. The Countess, at first startled, refused firmly to follow the young man; but, glancing in a mirror, she no