| The first excerpt represents the past or something you must release, and is drawn from The First Men In The Moon by H. G. Wells: lucky in getting that little bungalow. I got it on a three years'
agreement. I put in a few sticks of furniture, and while the play was in
hand I did my own cooking. My cooking would have shocked Mrs. Bond. And
yet, you know, it had flavour. I had a coffee-pot, a sauce-pan for eggs,
and one for potatoes, and a frying-pan for sausages and bacon - such was
the simple apparatus of my comfort. One cannot always be magnificent, but
simplicity is always a possible alternative. For the rest I laid in an
eighteen-gallon cask of beer on credit, and a trustful baker came each
day. It was not, perhaps, in the style of Sybaris, but I have had worse
times. I was a little sorry for the baker, who was a very decent man
indeed, but even for him I hoped.
 The First Men In The Moon |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Night and Day by Virginia Woolf: William--William Shakespeare, of course. Isn't it odd," she mused,
standing at the window and tapping gently upon the pane, "that for all
one can see, that dear old thing in the blue bonnet, crossing the road
with her basket on her arm, has never heard that there was such a
person? Yet it all goes on: lawyers hurrying to their work, cabmen
squabbling for their fares, little boys rolling their hoops, little
girls throwing bread to the gulls, as if there weren't a Shakespeare
in the world. I should like to stand at that crossing all day long and
say: 'People, read Shakespeare!'"
Katharine sat down at her table and opened a long dusty envelope. As
Shelley was mentioned in the course of the letter as if he were alive,
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The third excerpt represents the future or something you must embrace, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.: seen it first, radiant and joyous, literally "framed in blooms."
IV
"So," said Margrave, turning to me, "under the soil that spreads
around us lies the gold which to you and to me is at this moment of
no value, except as a guide to its twin-born--the regenerator of
life!"
"You have not yet described to me the nature of the substance which
we are to explore, nor the process by which the virtues you impute
to it are to be extracted."
"Let us first find the gold, and instead of describing the life-
amber, so let me call it, I will point it out to your own eyes. As
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