Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Jennifer Lopez

The first excerpt represents the past or something you must release, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

The skulls were, as a rule, painted--blue or white, or in combinations of both colors. The most effective were painted blue with the teeth white and the eye-sockets rimmed with white.

There were other skulls--thousands of them--tens, hundreds of thousands. They rimmed the eaves of every house, they were set in the plaster of the outer walls and at no great distance from where Bradley stood rose a round tower built entirely of human skulls. And the city extended in every direction as far as the Englishman could see.

All about him Wieroos were moving across the roofs or winging through the air. The sad sound of their flapping wings rose and


Out of Time's Abyss
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Some Reminiscences by Joseph Conrad:

personal servant of our late father. Impatient of delay while they were trying to dig themselves out, she jumped out of the sledge and went to look for the road herself. All this happened in '51, not ten miles from the house in which we are sitting now. The road was soon found, but snow had begun to fall thickly again, and they were four more hours getting home. Both the men took off their sheepskin-lined great-coats and used all their own rugs to wrap her up against the cold, notwithstanding her protests, positive orders and even struggles, as Valery afterwards related to me. 'How could I,' he remonstrated with her, 'go to meet the blessed soul of my late master if I let any


Some Reminiscences
The third excerpt represents the future or something you must embrace, and is drawn from Facino Cane by Honore de Balzac:

have come to a stop at the sight of him.

Picture to yourself a plaster mask of Dante in the red lamplight, with a forest of silver-white hair above the brows. Blindness intensified the expression of bitterness and sorrow in that grand face of his; the dead eyes were lighted up, as it were, by a thought within that broke forth like a burning flame, lit by one sole insatiable desire, written large in vigorous characters upon an arching brow scored across with as many lines as an old stone wall.

The old man was playing at random, without the slightest regard for time or tune. His fingers traveled mechanically over the worn keys of his instrument; he did not trouble himself over a false note now and