| The first excerpt represents the past or something you must release, and is drawn from Maggie: A Girl of the Streets by Stephen Crane: swallowed potatoes and drank from a yellow-brown bottle.
After a time her mood changed and she wept as she carried
little Tommie into another room and laid him to sleep
with his fists doubled in an old quilt of faded red
and green grandeur. Then she came and moaned by the stove.
She rocked to and fro upon a chair, shedding tears
and crooning miserably to the two children about their
"poor mother" and "yer fader, damn 'is soul."
The little girl plodded between the table and the chair with
a dish-pan on it. She tottered on her small legs beneath burdens
of dishes.
 Maggie: A Girl of the Streets |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Love Songs by Sara Teasdale: Making it strange to all the friendly trees!
There is no wind, and yet great curving scrolls
Carve themselves, ever changing, in the mist.
Walk on a little, let me stand here watching
To see you, too, grown strange to me and far. . . .
I used to wonder how the park would be
If one night we could have it all alone --
No lovers with close arm-encircled waists
To whisper and break in upon our dreams.
And now we have it! Every wish comes true!
We are alone now in a fleecy world;
|
The third excerpt represents the future or something you must embrace, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs: ing with his hand upon the latch, waited. Yes, they
were coming that way, many of them and quickly; and
as he heard them pause without he drew aside the arras
and pushed open the door behind him; backing into
the other apartment just as Simon de Montfort, Earl of
Leicester, burst into the room from the opposite side.
At the same instant a scream rang out behind Norman
of Torn, and, turning, he faced a brightly lighted room
in which sat Eleanor, Queen of England, and another
Eleanor, wife of Simon de Montfort, with their ladies.
There was no hiding now, and no escape; for run he
 The Outlaw of Torn |