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Today's Stichomancy for Jerry Lewis

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Dunwich Horror by H. P. Lovecraft:

too, the natives are mortally afraid of the numerous whippoorwills which grow vocal on warm nights. It is vowed that the birds are psychopomps lying in wait for the souls of the dying, and that they time their eerie cries in unison with the sufferer's struggling breath. If they can catch the fleeing soul when it leaves the body, they instantly flutter away chittering in daemoniac laughter; but if they fail, they subside gradually into a disappointed silence.

These tales, of course, are obsolete and ridiculous; because they come down from very old times. Dunwich is indeed ridiculously old - older by far than any of the communities within thirty miles of it. South of the village one may still spy the cellar walls


The Dunwich Horror
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Sportsman by Xenophon:

conjuncture the hounds will press hard upon him, while their masters had best keep a narrow eye upon the boar and let fly their javelins and a pelt of stones, being planted in a ring behind him and a good way off, until the instant when with a forward heave of his body he stretches the net tight and strains the skirting-rope. Thereupon he who is most skilful of the company and of the stoutest nerve will advance from the front and deliver a home thrust with his hunting- spear.

[23] Or, "a pretty chase must follow."

[24] Or, "if within the prison of the net the ground be sloping, it will not take long to make him spring up; he will be up again on

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Land of Footprints by Stewart Edward White:

peculiarity is his excessively long neck, a good deal on the giraffe order. With it he crops browse above high tide mark of other animals, especially when as often happens he balances cleverly on his hind legs. By means of it also he can, with his body completely concealed, look over the top of ordinary cover and see you long before you have made out his inconspicuous little head. Then he departs. He seems to have a lamentable lack of healthy curiosity about you. In that respect he should take lessons from the kongoni. After that you can follow him as far as you please; you will get only glimpses at three or four hundred yards.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Historical Lecturers and Essays by Charles Kingsley:

dullard--regarded him with deep dislike, who might in a few years be able to work his ruin.

But those few years were not given to Buchanan. He had all but done his work, and he hastened to get it over before the night should come wherein no man can work. One must be excused for telling--one would not tell it in a book intended to be read only by Scotsmen, who know or ought to know the tale already--how the two Melvilles and Buchanan's nephew Thomas went to see him in Edinburgh, in September, 1581, hearing that he was ill, and his History still in the press; and how they found the old sage, true to his schoolmaster's instincts, teaching the Hornbook to his servant-lad;