| The first excerpt represents the past or something you must release, and is drawn from Jude the Obscure by Thomas Hardy: not till five o'clock that they found themselves on the scene,--
the distance being altogether about half-a-dozen miles from Marygreen,
and three from Arabella's. The conflagration had been got
under by the time they reached it, and after a short inspection
of the melancholy ruins they retraced their steps--their course
lying through the town of Alfredston.
Arabella said she would like some tea, and they entered an inn
of an inferior class, and gave their order. As it was not for beer
they had a long time to wait. The maid-servant recognized Jude,
and whispered her surprise to her mistress in the background,
that he, the student "who kept hisself up so particular,"
 Jude the Obscure |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Daughter of Eve by Honore de Balzac: graceless, whose conversation turned on the differences which
distinguished various preachers and confessors, on their own petty
indispositions, on religious events insignificant even to the
"Quotidienne" or "l'Ami de la Religion." As for the men who appeared
in the Comtesse de Granville's salon, they extinguished any possible
torch of love, so cold and sadly resigned were their faces. They were
all of an age when mankind is sulky and fretful, and natural
sensibilities are chiefly exercised at table and on the things
relating to personal comfort. Religious egotism had long dried up
those hearts devoted to narrow duties and entrenched behind pious
practices. Silent games of cards occupied the whole evening, and the
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The third excerpt represents the future or something you must embrace, and is drawn from Myths and Myth-Makers by John Fiske: the bright sunlit clouds which are represented in the one as
cows are in the other represented as maidens. In the myth of
the Argonauts they reappear as the Golden Fleece, carried to
the far east by Phrixos and Helle, who are themselves
Niblungs, or "Children of the Mist" (Nephele), and there
guarded by a dragon. In all these myths a treasure is stolen
by a fiend of darkness, and recovered by a hero of light, who
slays the demon. And--remembering what Scribe said about the
fewness of dramatic types--I believe we are warranted in
asserting that all the stories of lovely women held in bondage
by monsters, and rescued by heroes who perform wonderful
 Myths and Myth-Makers |