Today's Stichomancy for Jerry Lewis

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Bucky O'Connor by William MacLeod Raine:

helped in part to form.

But if the young Spanish girl found a little current of pleasure in her surprise, Bucky and his friend were aware of the same sensation. All the charm of her race seemed summed up in Carmencita Megales. She was of blue blood, every feature and motion told that. The fine, easy set of her head, the fire in the dark, heavy-lashed eyes, the sweep of dusky chin and cheek and throat certified the same story. She had, too, that coquettish hint of uncertainty, that charm of mystery so fatal in its lure to questing man. Even physically the contradiction of sex attracted. Slender and lissom as a fawn, she was yet a creature

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Off on a Comet by Jules Verne:

was the same as though a train rushing along at a speed of about 86,000 leagues an hour had suddenly encountered some obstacle. The nucleus of the comet, being excessively hard, has done exactly what a ball would do fired with that velocity close to a pane of glass. It has crossed the earth without cracking it."

"It is possible you may be right," said Servadac, thoughtfully.

"Right! of course I am right!" replied the snappish professor. Soon, however, recovering his equanimity, he continued: "It is fortunate that the earth was only touched obliquely; if the comet had impinged perpendicularly, it must have plowed its way deep below the surface, and the disasters it might have

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Turn of the Screw by Henry James:

and guard the tranquility of my companions. The children, in especial, I should thus fence about and absolutely save. I recall one of the last things I said that night to Mrs. Grose.

"It does strike me that my pupils have never mentioned--"

She looked at me hard as I musingly pulled up. "His having been here and the time they were with him?"

"The time they were with him, and his name, his presence, his history, in any way."

"Oh, the little lady doesn't remember. She never heard or knew."

"The circumstances of his death?" I thought with some intensity. "Perhaps not. But Miles would remember--Miles would know."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

Elysees? Is it not clear that things had taken an altogether unexpected turn--that although the Ring may, like the famous Communist Manifesto of Marx and Engels, be an inspired guest at the historic laws and predestined end of our capitalistic-theocratic epoch, yet Wagner, like Marx, was too inexperienced in technical government and administration and too melodramatic in his hero-contra-villain conception of the class struggle, to foresee the actual process by which his generalization would work out, or the part to be played in it by the classes involved?

Let us go back for a moment to the point at which the Niblung