| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from She Stoops to Conquer by Oliver Goldsmith: moments, and not impute to me any impertinence, or sinister design,
that belongs to another.
MRS. HARDCASTLE. (Curtseying very low.) Fine spoken, madam, you are
most miraculously polite and engaging, and quite the very pink of
courtesy and circumspection, madam. (Changing her tone.) And you, you
great ill-fashioned oaf, with scarce sense enough to keep your mouth
shut: were you, too, joined against me? But I'll defeat all your plots
in a moment. As for you, madam, since you have got a pair of fresh
horses ready, it would be cruel to disappoint them. So, if you please,
instead of running away with your spark, prepare, this very moment, to
run off with ME. Your old aunt Pedigree will keep you secure, I'll
 She Stoops to Conquer |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Wuthering Heights by Emily Bronte: long ago, and was wretched to lose her; but it is past. I've loved
many others since: my children are dearer to me than she was; and,
at death, I shall not rejoice that I are going to her: I shall be
sorry that I must leave them!" Will you say so, Heathcliff?'
'Don't torture me till I'm as mad as yourself,' cried he, wrenching
his head free, and grinding his teeth.
The two, to a cool spectator, made a strange and fearful picture.
Well might Catherine deem that heaven would be a land of exile to
her, unless with her mortal body she cast away her moral character
also. Her present countenance had a wild vindictiveness in its
white cheek, and a bloodless lip and scintillating eye; and she
 Wuthering Heights |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Two Noble Kinsmen by William Shakespeare: Will you loose this sight?
EMILIA.
I had rather see a wren hawke at a fly
Then this decision; ev'ry blow that falls
Threats a brave life, each stroake laments
The place whereon it fals, and sounds more like
A Bell then blade: I will stay here;
It is enough my hearing shall be punishd
With what shall happen--gainst the which there is
No deaffing, but to heare--not taint mine eye
With dread sights, it may shun.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maitre Cornelius by Honore de Balzac: In case of mishap, he could not claim the privileges of his rank nor
the protection of his friends without bringing hopeless ruin on the
Comtesse de Saint-Vallier. If her husband suspected the nocturnal
visit of a lover, he was capable of roasting her alive in an iron
cage, or of killing her by degrees in the dungeons of a fortified
castle. Looking down at the shabby clothing in which he had disguised
himself, the young nobleman felt ashamed. His black leather belt, his
stout shoes, his ribbed socks, his linsey-woolsey breeches, and his
gray woollen doublet made him look like the clerk of some poverty-
stricken justice. To a noble of the fifteenth century it was like
death itself to play the part of a beggarly burgher, and renounce the
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