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Today's Stichomancy for Jesse James

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moll Flanders by Daniel Defoe:

backward at that, but he held my hand hard in his hand, and put it into the drawer, and made me take out as many guineas almost as I could well take up at once.

When I had done so, he made me put them into my lap, and took my little drawer, and poured out all my money among his, and bade me get me gone, and carry it all home into my own chamber.

I relate this story the more particularly because of the good-humour there was in it, and to show the temper with which we conversed. It was not long after this but he began every day to find fault with my clothes, with my laces and


Moll Flanders
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Land that Time Forgot by Edgar Rice Burroughs:

he wishes, accompanied them. They marched about twenty-five miles due west, encountering many terrible beasts and reptiles and not a few manlike creatures whom Ahm sent away. Here is Bradley's report of the expedition:

Marched fifteen miles the first day, camping on the bank of a large stream which runs southward. Game was plentiful and we saw several varieties which we had not before encountered in Caspak. Just before making camp we were charged by an enormous woolly rhinoceros, which Plesser dropped with a perfect shot. We had rhinoceros-steaks for supper. Ahm called the thing "Atis." It was almost a continuous battle from the time we left the fort until we


The Land that Time Forgot
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mansion by Henry van Dyke:

Weightman, Senior Warden of St. Petronius' Church. I wish very much to see my mansion here, if only for a moment. I believe that you have one for me. Will you take me to it?"

The Keeper of the Gate drew a little book from the breast of his robe and turned over the pages.

"Certainly," he said, with a curious look at the man, "your name is here; and you shall see your mansion if you will follow me."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Great God Pan by Arthur Machen:

I have chanced upon some queer customers, and queer cases too, but this, I think, beats all. I was coming out of a restaurant one nasty winter night about three months ago; I had had a capital dinner and a good bottle of Chianti, and I stood for a moment on the pavement, thinking what a mystery there is about London streets and the companies that pass along them. A bottle of red wine encourages these fancies, Clarke, and I dare say I should have thought a page of small type, but I was cut short by a beggar who had come behind me, and was making the usual appeals. Of course I looked round, and this beggar turned out to be what was left of an old friend of mine, a man named


The Great God Pan