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Today's Stichomancy for Jessica Alba

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wheels of Chance by H. G. Wells:

Mr. Hoopdriver's experiments. He presently attained sufficient dexterity to slap himself smartly and violently in the face with his right hand, without certainly overturning the machine; but his pocket handkerchief might have been in California for any good it was to him while he was in the saddle.

Yet you must not think that because Mr. Hoopdriver was a little uncomfortable, he was unhappy in the slightest degree. In the background of his consciousness was the sense that about this time Briggs would be half-way through his window dressing, and Gosling, the apprentice, busy, with a chair turned down over the counter and his ears very red, trying to roll a piece of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In a German Pension by Katherine Mansfield:

looking over the garden. The one, old and scraggy, dressed almost entirely in black bead trimming and a satin reticule; the other, young and thin, in a white gown, her yellow hair tastefully garnished with mauve sweet peas.

The Professor drew in his feet and sat up sharply, pulling down his waistcoat.

"The Godowskas," he murmured. "Do you know them? A mother and daughter from Vienna. The mother has an internal complaint and the daughter is an actress. Fraulein Sonia is a very modern soul. I think you would find her most sympathetic. She is forced to be in attendance on her mother just now. But what a temperament! I have once described her in her autograph album as a tigress with a flower in the hair. Will you excuse me? Perhaps

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Through the Looking-Glass by Lewis Carroll:

Alice was very anxious to be of use, and, as the poor little Lily was nearly screaming herself into a fit, she hastily picked up the Queen and set her on the table by the side of her noisy little daughter.

The Queen gasped, and sat down: the rapid journey through the air had quite taken away her breath and for a minute or two she could do nothing but hug the little Lily in silence. As soon as she had recovered her breath a little, she called out to the White King, who was sitting sulkily among the ashes, `Mind the volcano!'

`What volcano?' said the King, looking up anxiously into the


Through the Looking-Glass
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Art of Writing by Robert Louis Stevenson:

in sound, yet glide from the memory like undistinguished elements in a general effect. But the first class of writers have no monopoly of literary merit. There is a sense in which Addison is superior to Carlyle; a sense in which Cicero is better than Tacitus, in which Voltaire excels Montaigne: it certainly lies not in the choice of words; it lies not in the interest or value of the matter; it lies not in force of intellect, of poetry, or of humour. The three first are but infants to the three second; and yet each, in a particular point of literary art, excels his superior in the whole. What is that point?