| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Letters of Robert Louis Stevenson by Robert Louis Stevenson: continually inhabit that cold old huddle of grey hills from which
we come. I have just finished DAVID BALFOUR; I have another book
on the stocks, THE YOUNG CHEVALIER, which is to be part in France
and part in Scotland, and to deal with Prince Charlie about the
year 1749; and now what have I done but begun a third which is to
be all moorland together, and is to have for a centrepiece a figure
that I think you will appreciate - that of the immortal Braxfield -
Braxfield himself is my GRAND PREMIER, or, since you are so much
involved in the British drama, let me say my heavy lead. . . .
Your descriptions of your dealings with Lord Rintoul are
frightfully unconscientious. You should never write about anybody
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Deserted Woman by Honore de Balzac: life. Only from three years of loneliness would it be possible to draw
strength to speak of that time as I am speaking now. Such agony,
monsieur, usually ends in death; but this--well, it was the agony of
death with no tomb to end it. Oh! I have known pain indeed!"
The Vicomtesse raised her beautiful eyes to the ceiling; and the
cornice, no doubt, received all the confidences which a stranger might
not hear. When a woman is afraid to look at her interlocutor, there is
in truth no gentler, meeker, more accommodating confidant than the
cornice. The cornice is quite an institution in the boudoir; what is
it but the confessional, /minus/ the priest?
Mme. de Beauseant was eloquent and beautiful at that moment; nay,
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