| The first excerpt represents the past or something you must release, and is drawn from The Marriage Contract by Honore de Balzac: present innocence.
"Paul," she said in a low voice, and she so called him for the first
time, "if any difficulties as to property arise to separate us,
remember that I free you from all engagements, and will allow you to
let the blame of such a rupture rest on me."
She put such dignity into this expression of her generosity that Paul
believed in her disinterestedness and in her ignorance of the strange
fact that his notary had just told to him. He pressed the young girl's
hand and kissed it like a man to whom love is more precious than
wealth. Natalie left the room.
"Sac-a-papier! Monsieur le comte, you are committing a great folly,"
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart: I confess to a return of some of the sickening sensations of the
wreck; people around me were leaning forward with tense faces. Then
the letters were gone, and I saw a long level stretch of track, even
the broken stone between the ties standing out distinctly. Far off
under a cloud of smoke a small object was rushing toward us and
growing larger as it came.
Now it was on us, a mammoth in size, with huge drivers and a colossal
tender. The engine leaped aside, as if just in time to save us from
destruction, with a glimpse of a stooping fireman and a grimy
engineer. The long train of sleepers followed. From a forward
vestibule a porter in a white coat waved his hand. The rest of the
 The Man in Lower Ten |
The third excerpt represents the future or something you must embrace, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis: with a cold touch on his hand.
"It's come, father!"
He started up with a cry, looking at the new smile in her eyes,
grown strangely still.
"Call them all, quick, father!"
Whatever was the mystery of death that met her now, her heart
clung to the old love that had been true to her so long.
He did not move.
"Let me hev yoh to myself, Lo, 't th' last; yoh're all I hev; let
me hev yoh 't th' last."
It was a bitter disappointment, but she roused herself even then
 Margret Howth: A Story of To-day |