| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs: the contact of her the man took a new grip upon himself.
With his old-time smile he turned toward her.
"It would seem that they are trying to frighten us to death,"
he said, laughing; "and, shame be upon me that I should
confess it, I think they were close to accomplishing
their designs upon me."
She was about to make some reply when a fearful
shriek broke from the lips of the Lotharian.
"The end is coming!" he cried. "The end is coming!
The floor! The floor! Oh, Komal, be merciful!"
Thuvia and Carthoris did not need to look at the
 Thuvia, Maid of Mars |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Phaedrus by Plato: veritable 'sham,' having no relation to fact, or to truth of any kind. It
is antipathetic to him not only as a philosopher, but also as a great
writer. He cannot abide the tricks of the rhetoricians, or the pedantries
and mannerisms which they introduce into speech and writing. He sees
clearly how far removed they are from the ways of simplicity and truth, and
how ignorant of the very elements of the art which they are professing to
teach. The thing which is most necessary of all, the knowledge of human
nature, is hardly if at all considered by them. The true rules of
composition, which are very few, are not to be found in their voluminous
systems. Their pretentiousness, their omniscience, their large fortunes,
their impatience of argument, their indifference to first principles, their
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Aeneid by Virgil: Young Ornithus bestrode a hunter steed,
Swift for the chase, and of Apulian breed.
Him from afar she spied, in arms unknown:
O'er his broad back an ox's hide was thrown;
His helm a wolf, whose gaping jaws were spread
A cov'ring for his cheeks, and grinn'd around his head,
He clench'd within his hand an iron prong,
And tower'd above the rest, conspicuous in the throng.
Him soon she singled from the flying train,
And slew with ease; then thus insults the slain:
"Vain hunter, didst thou think thro' woods to chase
 Aeneid |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pivot of Civilization by Margaret Sanger: intelligence, forethought and responsibility. They will find in the
Standard Dictionary a quotation from Lecky to the effect that, ``The
greatest of all evils in politics is power without control.'' In what
phase of life is not ``power without control'' an evil? Birth
Control, therefore, means not merely the limitation of births, but the
application of intelligent guidance over the reproductive power. It
means the substitution of reason and intelligence for the blind play
of instinct.
The term ``Birth Control'' had the immense practical advantage of
compressing into two short words the answer to the inarticulate
demands of millions of men and women in all countries. At the time
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