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Today's Stichomancy for Jim Henson

The first excerpt represents the past or something you must release, and is drawn from The Contrast by Royall Tyler:

to cry, according to you, Mary, is when she is making choice of him; but I should think that a young woman's time to cry was when she despaired of getting one. Why, there was your mother, now: to be sure, when I popp'd the question to her she did look a little silly; but when she had once looked down on her apron-strings, as all modest young women us'd to do, and drawled out ye-s, she was as brisk and as merry as a bee.

MARIA

My honoured mother, Sir, had no motive to mel-

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Lost Princess of Oz by L. Frank Baum:

has happened, Corporal Waddle?"

"Captives, Your Majesty!" answered the Brown Bear. "Intruders upon our domain and slanderers of our good name."

"Ah, that's important," answered the voice.

Then from out the hollow trees tumbled a whole regiment of stuffed bears, some carrying tin swords, some popguns and others long spears with gay ribbons tied to the handles. There were hundreds of them, altogether, and they quietly formed a circle around the Frogman and the Cookie Cook, but kept at a distance and left a large space for the prisoners to stand in. Presently, this circle parted, and into the center of it stalked a huge toy bear of a lovely lavender color. He


The Lost Princess of Oz
The third excerpt represents the future or something you must embrace, and is drawn from Shadow out of Time by H. P. Lovecraft:

as I stumbled among debris and fragments of every sort. Then I came to the ceiling-high mound of debris through which I had wrenched a scanty passage. My dread at wriggling through again was infinite, for my first passage had made some noise, and I now - after seeing those possible prints - dreaded sound above all things. The case, too, doubled the problem of traversing the narrow crevice. But I clambered up the barrier as best I could, and pushed the case through the aperture ahead of me. Then, torch in mouth, I scrambled through myself - my back torn as before


Shadow out of Time