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Today's Stichomancy for Jim Henson

The first excerpt represents the past or something you must release, and is drawn from The Red Badge of Courage by Stephen Crane:

awakening. The gaunt, careworn features and dusty figures were made plain by this quaint

139 light at the dawning, but it dressed the skin of the men in corpselike hues and made the tangled limbs appear pulseless and dead. The youth started up with a little cry when his eyes first swept over this motionless mass of men, thick- spread upon the ground, pallid, and in strange postures. His disordered mind interpreted the hall of the forest as a charnel place. He believed


The Red Badge of Courage
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Black Dwarf by Walter Scott:

existence, had been dead for many years, when it occurred to the author that such a character might be made a powerful agent in fictitious narrative. He, accordingly, sketched that of Elshie of the Mucklestane-Moor. The story was intended to be longer, and the catastrophe more artificially brought out; but a friendly critic, to whose opinion I subjected the work in its progress, was of opinion, that the idea of the Solitary was of a kind too revolting, and more likely to disgust than to interest the reader. As I had good right to consider my adviser as an excellent judge of public opinion, I got off my subject by hastening the story to an end, as fast as it was possible; and,

The third excerpt represents the future or something you must embrace, and is drawn from The Mad King by Edgar Rice Burroughs:

tial. Barney could scarce repress a smile.

"We will ride at once to the palace," he said. "At the gate you may instruct one of your sergeants to telephone to will act as our escort."

Butzow saluted and turned to his troopers, giving the necessary commands that brought them about in the wake of the pseudo-king. Once again Barney Custer, of Beatrice, rode into Lustadt as king of Lutha. The few people upon the streets turned to look at him as he passed, but there was little demonstration of love or enthusiasm.

Leopold had awakened no emotions of this sort in the


The Mad King