| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lin McLean by Owen Wister: thick from the dark ground and luminously unfolded across the glare of
the sharp-halted locomotive. Then they wheeled, and clustered around it
where it stood by our cars, its air-brake pumping deep breaths, and the
internal steam humming through its bowels; and I came out in time to see
Billy Lusk climb its front with callow, enterprising shouts. That was
child's play; and the universal yell now raised by the horsemen was their
child's play too; but the whole thing could so precipitately reel into
the fatal that my thoughts stopped. I could only look when I saw that
they had somehow recognized the man on the engine for a sheriff. Two had
sprung from their horses and were making boisterously toward the cab,
while Lin McLean, neither boisterous nor joking, was going to the cab
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Passion in the Desert by Honore de Balzac: hesitate to make friends with the devil himself. After looking very
attentively at the proprietor of the menagerie getting out of his box,
my companion pursed up his lips with an air of mockery and contempt,
with that peculiar and expressive twist which superior people assume
to show they are not taken in. Then, when I was expatiating on the
courage of M. Martin, he smiled, shook his head knowingly, and said,
'Well known.'
" 'How "well known"?' I said. 'If you would only explain me the
mystery, I should be vastly obliged.'
"After a few minutes, during which we made acquaintance, we went to
dine at the first restauranteur's whose shop caught our eye. At
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