The first excerpt represents the past or something you must release, and is drawn from The Door in the Wall, et. al. by H. G. Wells: he had been a little scared about the consequences of his act. Yet
he felt strangely elated, and knew that the favour of the Lord
Dynamo was upon him. His plan was already settled when he met the
man coming from the station, and the scientific manager who
speedily arrived on the scene jumped at the obvious conclusion of
suicide. This expert scarcely noticed Azuma-zi, except to ask a
few questions. Did he see Holroyd kill himself? Azuma-zi
explained that he had been out of sight at the engine furnace until
he heard a difference in the noise from the dynamo. It was not a
difficult examination, being untinctured by suspicion.
The distorted remains of Holroyd, which the electrician
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Flame and Shadow by Sara Teasdale: For my mind is proud and strong enough to be silent,
It is my heart that makes my songs, not I.
Meadowlarks
In the silver light after a storm,
Under dripping boughs of bright new green,
I take the low path to hear the meadowlarks
Alone and high-hearted as if I were a queen.
What have I to fear in life or death
Who have known three things: the kiss in the night,
The white flying joy when a song is born,
And meadowlarks whistling in silver light.
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The third excerpt represents the future or something you must embrace, and is drawn from Cratylus by Plato: HERMOGENES: He would, according to my view.
SOCRATES: But how about truth, then? you would acknowledge that there is
in words a true and a false?
HERMOGENES: Certainly.
SOCRATES: And there are true and false propositions?
HERMOGENES: To be sure.
SOCRATES: And a true proposition says that which is, and a false
proposition says that which is not?
HERMOGENES: Yes; what other answer is possible?
SOCRATES: Then in a proposition there is a true and false?
HERMOGENES: Certainly.
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