| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Phaedrus by Plato: ought to be a definition of all disputed matters. But there was no such
definition in the speech of Lysias; nor is there any order or connection in
his words any more than in a nursery rhyme. With this he compares the
regular divisions of the other speech, which was his own (and yet not his
own, for the local deities must have inspired him). Although only a
playful composition, it will be found to embody two principles: first, that
of synthesis or the comprehension of parts in a whole; secondly, analysis,
or the resolution of the whole into parts. These are the processes of
division and generalization which are so dear to the dialectician, that
king of men. They are effected by dialectic, and not by rhetoric, of which
the remains are but scanty after order and arrangement have been
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cousin Pons by Honore de Balzac: as to Pons' age and birthplace; the German knew but one thing--that
Pons was his friend. So soon as the signatures were affixed, Remonencq
and the doctor (followed by the stone-mason's man), put Schmucke into
a cab, the desperate agent whisking in afterwards, bent upon taking a
definite order.
La Sauvage, on the lookout in the gateway, half-carried Schmucke's
almost unconscious form upstairs. Remonencq and the agent went up with
her.
"He will be ill!" exclaimed the agent, anxious to make an end of the
piece of business which, according to him, was in progress.
"I should think he will!" returned Mme. Sauvage. "He has been crying
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Melmoth Reconciled by Honore de Balzac: and latest fashions, and all that was daintiest and prettiest in
stuffs for hangings, in silks or jewelry, in fine china and other
brittle and fragile wares. She asked for nothing; but when she was
called upon to make a choice, when Castanier asked her, "Which do you
like?" she would answer, "Why, this is the nicest!" Love never counts
the cost, and Castanier therefore always took the "nicest."
When once the standard had been set up, there was nothing for it but
everything in the household must be in conformity, from the linen,
plate, and crystal through a thousand and one items of expenditure
down to the pots and pans in the kitchen. Castanier had meant to "do
things simply," as the saying goes, but he gradually found himself
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Exiles by Honore de Balzac: rebel."
In spite of her sway in the house, Jacqueline stood stupefied as she
listened to the edict fulminated against his lodgers by the sergeant
of the watch. She mechanically looked up at the window of the room
inhabited by the old man, and shivered with horror as she suddenly
caught sight of the gloomy, melancholy face, and the piercing eye that
so affected her husband, accustomed as he was to dealing with
criminals.
At that period, great and small, priests and laymen, all trembled
before the idea of any supernatural power. The word "magic" was as
powerful as leprosy to root up feelings, break social ties, and freeze
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