The first excerpt represents the past or something you must release, and is drawn from Z. Marcas by Honore de Balzac: nothing but his horse.
In three years Marcas had made his man--one of the fifty supposed
great statesmen who are the battledores with which two cunning players
toss the ministerial portfolios exactly as the man behind the puppet-
show hits Punch against the constable in his street theatre, and
counts on always getting paid. This man existed only by Marcas, but he
had just brains enough to appreciate the value of his "ghost" and to
know that Marcas, if he ever came to the front, would remain there,
would be indispensable, while he himself would be translated to the
polar zone of Luxembourg. So he determined to put insurmountable
obstacles in the way of his Mentor's advancement, and hid his purpose
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Light of Western Stars by Zane Grey: It afforded Madeline exceeding pleasure to have from one and all
of her guests varied encomiums of her beautiful home, and a real
and warm interest in what promised to be a delightful and
memorable visit.
Of them all Castleton was the only one who failed to show
surprise. He greeted her precisely as be had when he had last
seen her in London. Madeline, rather to her astonishment, found
meeting him again pleasurable. She discovered she liked this
imperturbable Englishman. Manifestly her capacity for liking any
one had immeasurably enlarged. Quite unexpectedly her old
girlish love for her younger sister sprang into life, and with it
The Light of Western Stars |
The third excerpt represents the future or something you must embrace, and is drawn from A Sentimental Journey by Laurence Sterne: forthwith begun to chaffer for the price. - But 'twill scarce hold
two, said I, opening the door and getting in. - Have the goodness,
Madame, said Mons. Dessein, offering his arm, to step in. - The
lady hesitated half a second, and stepped in; and the waiter that
moment beckoning to speak to Mon. Dessein, he shut the door of the
chaise upon us, and left us.
THE REMISE. CALAIS.
C'EST BIEN COMIQUE, 'tis very droll, said the lady, smiling, from
the reflection that this was the second time we a had been left
together by a parcel of nonsensical contingencies, - C'EST BIEN
COMIQUE, said she. -
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