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Today's Stichomancy for Jimi Hendrix

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Forged Coupon by Leo Tolstoy:

sounds and broken words."

Tolstoy on his side is equally expansive, and in the early stages of the correspondence falls occa- sionally into the vein of self-analysis which in later days became habitual.

"As a child I believed with passion and with- out any thought. Then at the age of fourteen I began to think about life and preoccupied myself with religion, but it did not adjust itself to my theories and so I broke with it. Without it I was able to live quite contentedly for ten years


The Forged Coupon
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from King Lear by William Shakespeare:

Is't not the King? Lear. Ay, every inch a king! When I do stare, see how the subject quakes. I pardon that man's life. What was thy cause? Adultery? Thou shalt not die. Die for adultery? No. The wren goes to't, and the small gilded fly Does lecher in my sight. Let copulation thrive; for Gloucester's bastard son Was kinder to his father than my daughters Got 'tween the lawful sheets.


King Lear
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Voice of the City by O. Henry:

whom he was bound in honor to engage in combat.

Mr. McQuirk made the attack with the charac- teristic suddenness and fierceness that had gained for him the endearing sobriquet of "Tiger." The de- fence of Mr. Conover was so prompt and admirable that the conflict was protracted until the onlookers un- selfishly gave the warning cry of "Cheese it -- the cop!" The principals escaped easily by running through the nearest open doors into the communi- cating backyards at the rear of the houses.

Mr. McQuirk emerged into another street. He


The Voice of the City
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

to a central gutter; from this bare two-storied houses, sometimes plaster many coloured, sometimes rough-hewn marble, rise, dirty and ill-finished to straight, plain, flat roofs; shops guiltless of windows, with signs in Greek letters; dogs, Greeks in blue, baggy, Zouave breeches and a fez, a few narghilehs and a sprinkling of the ordinary continental shopboys. - In the evening I tried one more walk in Syra with A-, but in vain endeavoured to amuse myself or to spend money; the first effort resulting in singing DOODAH to a passing Greek or two, the second in spending, no, in making A- spend, threepence on coffee for three.

'May 16.