| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Adventures of Huckleberry Finn by Mark Twain: rolling over in a pile of dead leaves; it makes such a
rustling that you wake up. Well, the duke allowed he
would take my bed; but the king allowed he wouldn't.
He says:
"I should a reckoned the difference in rank would a
sejested to you that a corn-shuck bed warn't just fitten
for me to sleep on. Your Grace 'll take the shuck
bed yourself."
Jim and me was in a sweat again for a minute, being
afraid there was going to be some more trouble
amongst them; so we was pretty glad when the duke
 The Adventures of Huckleberry Finn |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Call of the Wild by Jack London: sky, lighting the land till it lay bathed in ghostly day. And with
the coming of the night, brooding and mourning by the pool, Buck
became alive to a stirring of the new life in the forest other
than that which the Yeehats had made, He stood up, listening and
scenting. From far away drifted a faint, sharp yelp, followed by
a chorus of similar sharp yelps. As the moments passed the yelps
grew closer and louder. Again Buck knew them as things heard in
that other world which persisted in his memory. He walked to the
centre of the open space and listened. It was the call, the many-
noted call, sounding more luringly and compellingly than ever
before. And as never before, he was ready to obey. John Thornton
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Options by O. Henry: dry of information, I shook hands with him and told him I was sorry I
couldn't believe him. And a month afterward I landed on the coast of
this Gaudymala with $1,300 that I had been saving up for five years.
I thought I knew what Indians liked, and I fixed myself accordingly.
I loaded down four pack-mules with red woollen blankets, wrought-iron
pails, jewelled side-combs for the ladies, glass necklaces, and
safety-razors. I hired a black mozo, who was supposed to be a mule-
driver and an interpreter too. It turned out that he could interpret
mules all right, but he drove the English language much too hard. His
name sounded like a Yale key when you push it in wrong side up, but I
called him McClintock, which was close to the noise.
 Options |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Breaking Point by Mary Roberts Rinehart: to start a fire or line a pantry shelf. Harrison Miller, next door,
read it over his coffee. Walter Wheeler in the eight-thirty train
glanced at it and glanced away. Nina Ward read it in bed. And
that was all.
There came to the house a steady procession of inquirers and bearers
of small tribute, flowers and jellies mostly, but other things also.
A table in David's room held a steadily growing number of bedroom
slippers, and Mrs. Morgan had been seen buying soles for still
others. David, propped up in his bed, would cheer a little at these
votive offerings, and then relapse again into the heavy troubled
silence that worried Dick and frightened Lucy Crosby. Something had
 The Breaking Point |