| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ferragus by Honore de Balzac: talked about the death with wonder mingled with some pity.
The widow Gruget was charitably taken in by an old lady who prevented
her from following the sad procession of her daughter's funeral. A man
of triple functions, the bell-ringer, beadle, and grave-digger of the
parish, had dug a grave in the half-acre cemetery behind the church,--
a church well known, a classic church, with a square tower and pointed
roof covered with slate, supported on the outside by strong corner
buttresses. Behind the apse of the chancel, lay the cemetery, enclosed
with a dilapidated wall,--a little field full of hillocks; no marble
monuments, no visitors, but surely in every furrow, tears and true
regrets, which were lacking to Ida Gruget. She was cast into a corner
 Ferragus |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Mysterious Affair at Styles by Agatha Christie: mind, the possibility of a will--(a document almost certain to
contain that word)--occurred to me at once. This possibility was
confirmed by a further circumstance. In the general confusion,
the boudoir had not been swept that morning, and near the desk
were several traces of brown mould and earth. The weather had
been perfectly fine for some days, and no ordinary boots would
have left such a heavy deposit.
"I strolled to the window, and saw at once that the begonia beds
had been newly planted. The mould in the beds was exactly
similar to that on the floor of the boudoir, and also I learnt
from you that they had been planted yesterday afternoon. I was
 The Mysterious Affair at Styles |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Give Me Liberty Or Give Me Death by Patrick Henry: we can hope to arrive at truth, and fulfill the great responsibility
which we hold to God and our country. Should I keep back my opinions
at such a time, through fear of giving offense, I should consider myself
as guilty of treason towards my country, and of an act of disloyalty
toward the Majesty of Heaven, which I revere above all earthly kings.
Mr. President, it is natural to man to indulge in the illusions of hope.
We are apt to shut our eyes against a painful truth, and listen to the
song of that siren till she transforms us into beasts. Is this the part
of wise men, engaged in a great and arduous struggle for liberty?
Are we disposed to be of the number of those who, having eyes, see not,
and, having ears, hear not, the things which so nearly concern their
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Theaetetus by Plato: SOCRATES: Perhaps there may be no difference; but still I should like you
to hear my view, that you may help me to test it.
THEAETETUS: I will, if I can.
SOCRATES: I should distinguish 'having' from 'possessing': for example, a
man may buy and keep under his control a garment which he does not wear;
and then we should say, not that he has, but that he possesses the garment.
THEAETETUS: It would be the correct expression.
SOCRATES: Well, may not a man 'possess' and yet not 'have' knowledge in
the sense of which I am speaking? As you may suppose a man to have caught
wild birds--doves or any other birds--and to be keeping them in an aviary
which he has constructed at home; we might say of him in one sense, that he
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