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Today's Stichomancy for Joan of Arc

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pride and Prejudice by Jane Austen:

long-expected ball at Netherfield, which was fixed for the following Tuesday. The two ladies were delighted to see their dear friend again, called it an age since they had met, and repeatedly asked what she had been doing with herself since their separation. To the rest of the family they paid little attention; avoiding Mrs. Bennet as much as possible, saying not much to Elizabeth, and nothing at all to the others. They were soon gone again, rising from their seats with an activity which took their brother by surprise, and hurrying off as if eager to escape from Mrs. Bennet's civilities.

The prospect of the Netherfield ball was extremely agreeable to


Pride and Prejudice
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Eryxias by Platonic Imitator:

vice for virtue?

CRITIAS: Never.

SOCRATES: And yet we have already agreed--have we not?--that there can be no knowledge where there has not previously been ignorance, nor health where there has not been disease, nor virtue where there has not been vice?

CRITIAS: I think that we have.

SOCRATES: But then it would seem that the antecedents without which a thing cannot exist are not necessarily useful to it. Otherwise ignorance would appear useful for knowledge, disease for health, and vice for virtue.

Critias still showed great reluctance to accept any argument which went to prove that all these things were useless. I saw that it was as difficult

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

succeeded by a slight pallor, which shows that the capillary vessels contract after dilating. In some rare cases paleness instead of redness is caused under conditions which would naturally induce a blush. For instance, a young lady told me that in a large and crowded party she caught her hair so firmly on the button of a passing servant, that it took some time before she could be extricated; from her sensations she imagined that she had blushed crimson; but was assured by a friend that she had turned extremely pale.

[4] Lieber `On the Vocal Sounds,' &c.; Smithsonian Contributions, 1851, vol. ii. p. 6.

[5] Ibid. p. 182.


Expression of Emotion in Man and Animals
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from La Grenadiere by Honore de Balzac:

along its edge. Opposite the gateway, a wooden summer-house stands against the neighboring wall, the posts are covered with jessamine and honeysuckle, vines and clematis.

The house itself stands in the middle of this highest garden, above a vine-covered flight of steps, with an arched doorway beneath that leads to vast cellars hollowed out in the rock. All about the dwelling trellised vines and pomegranate-trees (the grenadiers, which give the name to the little close) are growing out in the open air. The front of the house consists of two large windows on either side of a very rustic-looking house door, and three dormer windows in the roof--a slate roof with two gables, prodigiously high-pitched in proportion to