Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Joan of Arc

The first excerpt represents the past or something you must release, and is drawn from Vendetta by Honore de Balzac:

examine her picture, when the regular breathing or some deeper breath might reveal to them, as it had to her, the presence of this political victim. She resolved to keep her place beside that door, trusting to her wits to baffle all dangerous chances that might arise.

"Better that I should be here," thought she, "to prevent some luckless accident, than leave that poor man at the mercy of a heedless betrayal."

This was the secret of the indifference which Ginevra had apparently shown to the removal of her easel. She was inwardly enchanted, because the change had enabled her to gratify her curiosity in a natural manner; besides, at this moment, she was too keenly preoccupied to

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Art of War by Sun Tzu:

CH`IEN CH`IO LEI SHU (1632), ch. 75. YUAN CHIEN LEI HAN (1710), ch. 206-229. KU CHIN T`U SHU CHI CH`ENG (1726), section XXX, esp. ch. 81- 90. HSU WEN HSIEN T`UNG K`AO (1784), ch. 121-134. HUANG CH`AO CHING SHIH WEN PIEN (1826), ch. 76, 77.

The bibliographical sections of certain historical works also deserve mention: --

CH`IEN HAN SHU, ch. 30. SUI SHU, ch. 32-35. CHIU T`ANG SHU, ch. 46, 47.


The Art of War
The third excerpt represents the future or something you must embrace, and is drawn from Sarrasine by Honore de Balzac:

marvelous monuments with which the fatherland of the arts is strewn. He admired the statues, the frescoes, the pictures; and, fired with a spirit of emulation, he went on to Rome, burning to inscribe his name between the names of Michelangelo and Bouchardon. At first, therefore, he divided his time between his studio work and examination of the works of art which abound in Rome. He had already passed a fortnight in the ecstatic state into which all youthful imaginations fall at the sight of the queen of ruins, when he happened one evening to enter the Argentina theatre, in front of which there was an enormous crowd. He inquired the reasons for the presence of so great a throng, and every one answered by two names: