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Today's Stichomancy for Joel Grey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Open Letter on Translating by Dr. Martin Luther:

already held them in contempt, as long as they are the kind of people that they are - asses, I should say. And there are brazen idiots among them who have never learned their own art of sophistry - like Dr. Schmidt and Snot-Nose, and such like them. They set themselves against me in this matter, which not only transcends sophistry, but as St. Paul writes, all the wisdom and understanding in the world as well. An ass truly does not have to sing much as he is already known for his ears.

For you and our people, however, I shall show why I used the word "sola" - even though in Romans 3 it wasn't "sola" I used but "solum" or "tantum". That is how closely those asses have looked

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pierre Grassou by Honore de Balzac:

Vervelle.

"A good fellow, all round," replied Grassou. "His name is Cardot."

"Well, well! if that isn't a joke!" exclaimed Vervelle. "Cardot is our notary too."

"Take care! don't move," said the painter.

"Do pray hold still, Antenor," said the wife. "If you move about you'll make monsieur miss; you should just see him working, and then you'd understand."

"Oh! why didn't you have me taught the arts?" said Mademoiselle Vervelle to her parents.

"Virginie," said her mother, "a young person ought not to learn

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Muse of the Department by Honore de Balzac:

preached as the religion of the invalid; and, above all, to the air of Sancerre and the influence of its fine elevation, whence a panorama over the valley of the Loire may be seen extending for forty leagues.

From 1802 to 1815 young La Baudraye added several plots to his vineyards, and devoted himself to the culture of the vine. The Restoration seemed to him at first so insecure that he dared not go to Paris to claim his debts; but after Napoleon's death he tried to turn his father's collection of autographs into money, though not understanding the deep philosophy which had thus mixed up I O U's and copies of verses. But the winegrower lost so much time in impressing his identity on the Duke of Navarreins "and others," as he phrased it,


The Muse of the Department
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

it possible to get a truth believed? Ah! the greatest of men have been mistaken there!" added the princess, with one of those meaning smiles which the pencil of Leonardo da Vinci alone has rendered.

"Fools love well, sometimes," returned the marquise.

"But in this case," said the princess, "fools wouldn't have enough credulity in their nature."

"You are right," said the marquise. "But what we ought to look for is neither a fool nor even a man of talent. To solve our problem we need a man of genius. Genius alone has the faith of childhood, the religion of love, and willingly allows us to band its eyes. Look at Canalis and the Duchesse de Chaulieu! Though we have both encountered men of