Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Joel Grey

The first excerpt represents the past or something you must release, and is drawn from Ozma of Oz by L. Frank Baum:

can ride upon the backs of the Lion and the Tiger."

So this was decided upon, and Ozma, as soon as the Lion was unfastened from the chariot, at once mounted the beast's back and said she was ready.

"Cling fast to his mane," advised Dorothy. "I used to ride him myself, and that's the way I held on."

So Ozma clung fast to the mane, and the lion crouched in the path and eyed the swinging mallet carefully until he knew just the instant it would begin to rise in the air.

Then, before anyone thought he was ready, he made a sudden leap straight between the iron giant's legs, and before the mallet struck the ground again the Lion and Ozma were safe on the other side.


Ozma of Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Shakespeare's Sonnets by William Shakespeare:

Either not assail'd, or victor being charg'd; Yet this thy praise cannot be so thy praise, To tie up envy, evermore enlarg'd, If some suspect of ill mask'd not thy show, Then thou alone kingdoms of hearts shouldst owe.

LXXI

No longer mourn for me when I am dead Than you shall hear the surly sullen bell Give warning to the world that I am fled From this vile world with vilest worms to dwell: Nay, if you read this line, remember not

The third excerpt represents the future or something you must embrace, and is drawn from The King of the Golden River by John Ruskin:

and with his usual insistence upon drawing a moral. None the less, it is quite unlike his other writings. All his life long his pen was busy interpreting nature and pictures and architecture, or persuading to better views those whom he believed to be in error, or arousing, with the white heat of a prophet's zeal, those whom he knew to be unawakened. There is indeed a good deal of the prophet about John Ruskin. Though essentially an interpreter with a singularly fine appreciation of beauty, no man of the nineteenth century felt more keenly that he had a mission, and none was more loyal to what he believed that mission to be.

While still in college, what seemed a chance incident gave occasion and direction to this mission. A certain English reviewer