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Today's Stichomancy for John Carpenter

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from American Notes by Rudyard Kipling:

Evening crept through the pines that shadowed us, but the full glory of the day flamed in that canyon as we went out very cautiously to a jutting piece of rock--blood-red or pink it was--that overhung the deepest deeps of all.

Now I know what it is to sit enthroned amid the clouds of sunset as the spirits sit in Blake's pictures. Giddiness took away all sensation of touch or form, but the sense of blinding color remained.

When I reached the mainland again I had sworn that I had been floating.

The maid from New Hampshire said no word for a very long time.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

resistless torrent of words. Suddenly the lady turned to the Tatar, and said anxiously, "But my mother? you took her some?"

"She is asleep."

"And my father?"

"I carried him some; he said that he would come to thank the young lord in person."

She took the bread and raised it to her mouth. With inexpressible delight Andrii watched her break it with her shining fingers and eat it; but all at once he recalled the man mad with hunger, who had expired before his eyes on swallowing a morsel of bread. He turned pale and, seizing her hand, cried, "Enough! eat no more! you have not


Taras Bulba and Other Tales
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Give Me Liberty Or Give Me Death by Patrick Henry:

reconciliation? Have we shown ourselves so unwilling to be reconciled that force must be called in to win back our love? Let us not deceive ourselves, sir. These are the implements of war and subjugation; the last arguments to which kings resort. I ask gentlemen, sir, what means this martial array, if its purpose be not to force us to submission? Can gentlemen assign any other possible motive for it? Has Great Britain any enemy, in this quarter of the world, to call for all this accumulation of navies and armies? No, sir, she has none. They are meant for us: they can be meant for no other. They are sent over to bind and rivet upon us those chains which the British ministry have been so long forging. And what have we to oppose to them? Shall we try argument? Sir, we have been trying that for the last ten years.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Almayer's Folly by Joseph Conrad:

stairs. When in the courtyard the lieutenant approached him, and took him by the arm. The sub-lieutenant and Babalatchi followed close.

"That's better, Almayer," said the officer encouragingly. "Where are you going to? There are only planks there. Here," he went on, shaking him slightly, "do we want the boats?"

"No," answered Almayer, viciously. "You want a grave."

"What? Wild again! Try to talk sense."

"Grave!" roared Almayer, struggling to get himself free. "A hole in the ground. Don't you understand? You must be drunk. Let me go! Let go, I tell you!"


Almayer's Folly