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Today's Stichomancy for John Cleese

The first excerpt represents the past or something you must release, and is drawn from The Virginian by Owen Wister:

the silence? For the silence which I had liked until now seemed suddenly to be made too great by the presence of the deserted buildings. And then the door of the stable opened, and men came out and stood, also watching me arrive. By the time I was dismounting more were there. It was senseless to feel as unpleasant as I did, and I strove to give to them a greeting that should sound easy. I told them that I hoped there was room for one more here to-night. Some of them had answered my greeting, but none of them answered this; and as I began to be sure that I recognized several of their strangely imperturbable faces, the Virginian came from the stable; and at that welcome sight my


The Virginian
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Animal Farm by George Orwell:

and again, and, when the animals got to close quarters, lashed out with their sticks and their heavy boots. A cow, three sheep, and two geese were killed, and nearly everyone was wounded. Even Napoleon, who was directing operations from the rear, had the tip of his tail chipped by a pellet. But the men did not go unscathed either. Three of them had their heads broken by blows from Boxer's hoofs; another was gored in the belly by a cow's horn; another had his trousers nearly torn off by Jessie and Bluebell. And when the nine dogs of Napoleon's own bodyguard, whom he had instructed to make a detour under cover of the hedge, suddenly appeared on the men's flank, baying ferociously, panic overtook them. They saw that they were in danger of being surrounded. Frederick shouted to his men to get out while


Animal Farm
The third excerpt represents the future or something you must embrace, and is drawn from Symposium by Plato:

the truth), but is clearly something which is a mean between ignorance and wisdom.' 'Quite true,' I replied. 'Do not then insist,' she said, 'that what is not fair is of necessity foul, or what is not good evil; or infer that because love is not fair and good he is therefore foul and evil; for he is in a mean between them.' 'Well,' I said, 'Love is surely admitted by all to be a great god.' 'By those who know or by those who do not know?' 'By all.' 'And how, Socrates,' she said with a smile, 'can Love be acknowledged to be a great god by those who say that he is not a god at all?' 'And who are they?' I said. 'You and I are two of them,' she replied. 'How can that be?' I said. 'It is quite intelligible,' she replied; 'for you yourself would acknowledge that the gods are happy and