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Today's Stichomancy for John Cleese

The first excerpt represents the past or something you must release, and is drawn from The Redheaded Outfield by Zane Grey:

wooded country. On each side of the diamond were rows of wooden benches, and at one end of the field stood a little clubhouse.

Wayne took off his coat, and tossed a ball for a while to an ambitious youngster, and then went into the clubhouse, where Huling introduced him to several of his players. After a good rubdown, Wayne thanked Huling for his courtesy, and started out, intending to go back to town.

``Why not stay to see us practice?'' asked the captain. ``We're not afraid you'll size up our


The Redheaded Outfield
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Prince by Nicolo Machiavelli:

more powerful.

From the above I have excepted the Turk, who always keeps round him twelve thousand infantry and fifteen thousand cavalry on which depend the security and strength of the kingdom, and it is necessary that, putting aside every consideration for the people, he should keep them his friends. The kingdom of the Soldan is similar; being entirely in the hands of soldiers, it follows again that, without regard to the people, he must keep them his friends. But you must note that the state of the Soldan is unlike all other principalities, for the reason that it is like the Christian pontificate, which cannot be called either an hereditary or a newly formed principality; because the sons


The Prince
The third excerpt represents the future or something you must embrace, and is drawn from The Brother of Daphne by Dornford Yates:

objectionable rabble round an edifice, which we shall remember more for the biting chill of its atmosphere than anything else? And then the musty quiet of the museums, and the miles we shall cover in the picture galleries, halting now and then to do a brief gloat in front of one of Van Stunk's masterpieces...

My heart leaps up when I behold a Van Stunk on the wall. Wordsworth knew his Englishman, didn't he?"

"Oh, well, if you're so dead against it- "

"Against it, dear. How can I be against it? Why, we may even be arrested as spies! There" -he looked round triumphantly- "who shall say that the age of romance is dead? Let us go forth and


The Brother of Daphne