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Today's Stichomancy for John D. Rockefeller

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Alcibiades I by Plato:

author, are also of doubtful credit; while there is no instance of any ancient writing proved to be a forgery, which combines excellence with length. A really great and original writer would have no object in fathering his works on Plato; and to the forger or imitator, the 'literary hack' of Alexandria and Athens, the Gods did not grant originality or genius. Further, in attempting to balance the evidence for and against a Platonic dialogue, we must not forget that the form of the Platonic writing was common to several of his contemporaries. Aeschines, Euclid, Phaedo, Antisthenes, and in the next generation Aristotle, are all said to have composed dialogues; and mistakes of names are very likely to have occurred. Greek literature in the third century before Christ was almost as

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gobseck by Honore de Balzac:

husband lay and groaned, had drawn a charmed circle round about it. So near, yet kept at a distance; all-powerful, but in disgrace, the apparently devoted wife was lying in wait for death and opportunity; crouching like the ant-lion at the bottom of his spiral pit, ever on the watch for the prey that cannot escape, listening to the fall of every grain of sand.

"The strictest censor could not but recognize that the Countess pushed maternal sentiment to the last degree. Her father's death had been a lesson to her, people said. She worshiped her children. They were so young that she could hide the disorders of her life from their eyes, and could win their love; she had given them the best and most


Gobseck
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

the use of all four planes, many men, and the whole of the expedition�s mechanical apparatus. I did not, in the end, veto the plan, though I decided not to accompany the northwestward party despite Lake�s plea for my geological advice. While they were gone, I would remain at the base with Pabodie and five men and work out final plans for the eastward shift. In preparation for this transfer, one of the planes had begun to move up a good gasoline supply from McMurdo Sound; but this could wait temporarily. I kept with me one sledge and nine dogs, since it is unwise to be at any time without possible transportation in an utterly tenantless world of aeon-long death.


At the Mountains of Madness
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

understood my condition, and I asked myself whether it would be well for me to abandon myself to my fury. And I answered myself that it would be well, that it would frighten her, and, instead of resisting, I lashed and spurred myself on, and was glad to feel my anger boiling more and more fiercely.

"'Go away, or I will kill you!' I cried, purposely, with a frightful voice, and I grasped her by the arm. She did not go away. Then I twisted her arm, and pushed her away violently.

"'What is the matter with you? Come to your senses!' she shrieked.

"'Go away,' roared I, louder than ever, rolling my eyes wildly.


The Kreutzer Sonata