| The first excerpt represents the past or something you must release, and is drawn from Rivers to the Sea by Sara Teasdale: Love came to me, and Cercolas was love.
RIVERS TO THE SEA
III ¹
The twilight's inner flame grows blue and deep,
And in my Lesbos, over leagues of sea,
The temples glimmer moon-wise in the trees.
Twilight has veiled the little flower-face
Here on my heart, but still the night is kind
And leaves her warm sweet weight against my breast.
Am I that Sappho who would run at dusk
Along the surges creeping up the shore
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Kidnapped Santa Claus by L. Frank Baum: "That is true," answered Santa Claus, almost cheerfully;
"Christmas Eve is past, and for the first time in centuries
I have not visited my children."
"The little ones will be greatly disappointed," murmured the Daemon of
Repentance, almost regretfully; "but that cannot be helped now. Their
grief is likely to make the children selfish and envious and hateful,
and if they come to the Caves of the Daemons today I shall get a
chance to lead some of them to my Cave of Repentance."
"Do you never repent, yourself?" asked Santa Claus, curiously.
"Oh, yes, indeed," answered the Daemon. "I am even now repenting that
I assisted in your capture. Of course it is too late to remedy the
 A Kidnapped Santa Claus |
The third excerpt represents the future or something you must embrace, and is drawn from Christ in Flanders by Honore de Balzac: there . . ." and she nodded her head as she spoke towards the sunset.
Streaks of fiery red glared from behind the masses of crimson-flushed
brown cloud that seemed about to unloose a furious gale. There was a
smothered murmur of the sea, a moaning sound that seemed to come from
the depths, a low warning growl, such as a dog gives when he only
means mischief as yet. After all, Ostend was not far away. Perhaps
painting, like poetry, could not prolong the existence of the picture
presented by sea and sky at that moment beyond the time of its actual
duration. Art demands vehement contrasts, wherefore artists usually
seek out Nature's most striking effects, doubtless because they
despair of rendering the great and glorious charm of her daily moods;
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