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Today's Stichomancy for John Glenn

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In a German Pension by Katherine Mansfield:

his room. I am not accustomed to such company. I had suspected him for a long time."

"Young blood," answered the Herr Rat genially. "I have had several disputes with him--you have heard them--is it not so?" turning to me.

"A great many," I said, smiling.

"Doubtless you too consider me behind the times. I make no secret of my age; I am sixty-nine; but you must have surely observed how impossible it was for him to speak at all when I raised my voice."

I replied with the utmost conviction, and, catching Frau Fischer's eye, suddenly realised I had better go back to the house and write some letters.

It was dark and cool in my room. A chestnut tree pushed green boughs

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Art of Writing by Robert Louis Stevenson:

of reason; and (again if they have any gift of reading) they will end by seeing that this old gentleman was in a dozen ways a finer fellow, and held in a dozen ways a nobler view of life, than they or their contemporaries.

The next book, in order of time, to influence me, was the New Testament, and in particular the Gospel according to St. Matthew. I believe it would startle and move any one if they could make a certain effort of imagination and read it freshly like a book, not droningly and dully like a portion of the Bible. Any one would then be able to see in it those truths which we are all courteously supposed to know and all

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Shadow out of Time by H. P. Lovecraft:

seemed to be writing materials - oddly figured jars of a purplish metal, and rods with stained tips. Tall as the pedestals were, I seemed at times able to view them from above. On some of them were great globes of luminous crystal serving as lamps, and inexplicable machines formed of vitreous tubes and metal rods. The windows were glazed, and latticed with stout-looking bars. Though I dared not approach and peer out them, I could see from where I was he waving tops of singular fern-like growths. The floor was of massive octagonal flagstones, while rugs and hangings were entirely lacking.

Later I had visions of sweeping through Cyclopean corridors


Shadow out of Time
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Chronicles of the Canongate by Walter Scott:

exhibitions were not more remarkable for feminine grace and delicacy than was her private character for every virtue which could be admired in domestic life. He would conclude with reciting a few words from Shakespeare, in a spirit not of contradiction to those stern moralists who disliked the theatre, but of meekness: "Good, my lord, will you see the players well bestowed? Do you hear, let them be well used, for they are the abstract and brief chronicles of the time." He then gave "Mrs. Henry Siddons, and success to the Theatre Royal of Edinburgh."

Mr. MURRAY.--Gentlemen, I rise to return thanks for the honour you have done Mrs. Siddons, in doing which I am somewhat