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Today's Stichomancy for John Travolta

The first excerpt represents the past or something you must release, and is drawn from The Wheels of Chance by H. G. Wells:

bowing over his saddle as if it was a counter. Somehow he could not find it in his heart to tell her that the man was beyond there with a punctured pneumatic. He looked back along the road and tried to think of something else to say. But the gulf in the conversation widened rapidly and hopelessly. "There's nothing further," began Mr. Hoopdriver desperately, recurring to his stock of cliches.

"Nothing, thank you," she said decisively. And immediately, "This IS the Ripley road?"

"Certainly," said Mr. Hoopdriver. "Ripley is about two miles from here. According to the mile-stones."

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lady Baltimore by Owen Wister:

married men.

Quite suddenly the true light flashed upon me. I had been slow-sighted indeed! So that was what she had come here for to-day! Miss Hortense was going to pay her compliments to Miss La Heu. I believe that my sight might still have been slow but for that miraculous sweetness upon the face of Eliza. She was ready for the compliments! Well, I sat expectant-- and disappointment was by no means my lot.

Hortense finished her lunch. "And so this interesting place is where you work?"

Eliza, thus addressed, assented.

"And you furnish wedding cakes also?"

The third excerpt represents the future or something you must embrace, and is drawn from Catherine de Medici by Honore de Balzac:

thousand ducats in jewels, precious stones, and other wedding gifts; to which Alessandro likewise contributed his share.

On arriving at Livorno, Catherine, still so young, must have been flattered by the extreme magnificence displayed by Pope Clement ("her uncle in Notre-Dame," then head of the house of the Medici), in order to outdo the court of France. He had already arrived at Livorno in one of his galleys, which was lined with crimson satin fringed with gold, and covered with a tent-like awning in cloth of gold. This galley, the decoration of which cost twenty thousand ducats, contained several apartments destined for the bride of Henri of France, all of which were furnished with the richest treasures of art the Medici could