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Today's Stichomancy for John Travolta

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Voyage to Arcturus by David Lindsay:

long row of enormous stone posts, shining brightly in the moonlight against a background of dark sky. There were about thirty in all, and they were placed at such regular intervals that there was little doubt that they had been set there by human hands. Some were perpendicular, but others dipped so much that an aspect of extreme antiquity was given to the entire colonnade. Corpang was seen climbing the hill, not far from the top.

"He wishes to arrive," said Maskull, watching the energetic ascent with a rather cynical smile.

"The heavens won't open for Corpang," returned Sullenbode. "He need not be in such a hurry.... What do these pillars seem like to you?"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cratylus by Plato:

been derived from a time when the Greeks were either barbarians, or in close relations to the barbarians. Socrates is aware that this principle is liable to great abuse; and, like the 'Deus ex machina,' explains nothing. Hence he excuses himself for the employment of such a device, and remarks that in foreign words there is still a principle of correctness, which applies equally both to Greeks and barbarians.

(3) But the greater number of primary words do not admit of derivation from foreign languages; they must be resolved into the letters out of which they are composed, and therefore the letters must have a meaning. The framers of language were aware of this; they observed that alpha was adapted to express size; eta length; omicron roundness; nu inwardness; rho

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Give Me Liberty Or Give Me Death by Patrick Henry:

petition comports with those warlike preparations which cover our waters and darken our land. Are fleets and armies necessary to a work of love and reconciliation? Have we shown ourselves so unwilling to be reconciled that force must be called in to win back our love? Let us not deceive ourselves, sir. These are the implements of war and subjugation; the last arguments to which kings resort. I ask gentlemen, sir, what means this martial array, if its purpose be not to force us to submission? Can gentlemen assign any other possible motive for it? Has Great Britain any enemy, in this quarter of the world, to call for all this accumulation of navies and armies? No, sir, she has none. They are meant for us: they can be meant for no other. They are sent over to bind and rivet upon us those chains which the British

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Emma McChesney & Co. by Edna Ferber:

clothes, the manner, and the eyes were the same. At the entrance of the three women, he had been engrossed in the difficult task of selling a fall line to Mannie Nussbaum, of Portland, Oregon. Mannie was what is known as a temperamental buyer. He couldn't be forced; he couldn't be coaxed; he couldn't be led. But when he liked a line he bought like mad, never cancelled, and T. A. Buck had just got him going. It spoke volumes for his self- control that he could advance toward the waiting three, his manner correct, his expression bland.

"I am Mr. Buck," he said. "Mrs. Buck is very much engaged. I understand your visit has something to do with the girls in the


Emma McChesney & Co.