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Today's Stichomancy for John Wilkes Booth

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Drama on the Seashore by Honore de Balzac:

earthenware jug. Never had my imagination, when it carried me to the deserts where early Christian anchorites spent their lives, depicted to my mind a form more grandly religious nor more horribly repentant than that of this man. You, who have a life-long experience of the confessional, dear uncle, you may never, perhaps, have seen so awful a remorse,--remorse sunk in the waves of prayer, the ceaseless supplication of a mute despair. This fisherman, this mariner, this hard, coarse Breton, was sublime through some hidden emotion. Had those eyes wept? That hand, moulded for an unwrought statue, had it struck? That ragged brow, where savage honor was imprinted, and on which strength had left vestiges of the gentleness which is an

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Human Drift by Jack London:

leave it to any one: a boat would never act that way.

We have some history north of the Bay. Nearly three centuries and a half ago, that doughty pirate and explorer, Sir Francis Drake, combing the Pacific for Spanish galleons, anchored in the bight formed by Point Reyes, on which to-day is one of the richest dairy regions in the world. Here, less than two decades after Drake, Sebastien Carmenon piled up on the rocks with a silk-laden galleon from the Philippines. And in this same bay of Drake, long afterward, the Russian fur-poachers rendezvous'd their bidarkas and stole in through the Golden Gate to the forbidden waters of San Francisco Bay.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Story of an African Farm by Olive Schreiner:

He knelt down with his face upon the ground, and he folded his hands upon his curls. The fierce sun poured down its heat upon his head and upon his altar. When he looked up he knew what he should see--the glory of God! For fear his very heart stood still, his breath came heavily; he was half suffocated. He dared not look up. Then at last he raised himself. Above him was the quiet blue sky, about him the red earth; there were the clumps of silent ewes and his altar--that was all.

He looked up--nothing broke the intense stillness of the blue overhead. He looked round in astonishment, then he bowed again, and this time longer than before.

When he raised himself the second time all was unaltered. Only the sun had

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Varieties of Religious Experience by William James:

diseases, diseases of middle life, and of old age; the thought that we shall grow old, lose our faculties, and again become childlike; while crowning all is the fear of death. Then there is a long line of particular tears and trouble-bearing expectations, such, for example, as ideas associated with certain articles of food, the dread of the east wind, the terrors of hot weather, the aches and pains associated with cold weather, the fear of catching cold if one sits in a draught, the coming of hay-fever upon the 14th of August in the middle of the day, and so on through a long list of fears, dreads, worriments, anxieties, anticipations, expectations, pessimisms, morbidities,