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Today's Stichomancy for Jon Stewart

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

property, nor money, nor godliness, nor hearth and high place, nor pomp and peerage, nor contract and custom, but in Love. Let that only prevail; and ye shall be blest in weal or woe." Here the repudiations still smack of Bakoonin; but the saviour is no longer the volition of the full-grown spirit of Man, the Free Willer of Necessity, sword in hand, but simply Love, and not even Shelleyan love, but vehement sexual passion. It is highly significant of the extent to which this uxorious commonplace lost its hold of Wagner (after disturbing his conscience, as he confesses to Roeckel, for years) that it disappears in the full score of Night Falls On The Gods, which was not completed until

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adam Bede by George Eliot:

position of an accepted lover, as the giver of that locket must be. Adam was lost in the utter impossibility of finding any person for his fears to alight on. He could only feel with a terrible pang that there was something in Hetty's life unknown to him; that while he had been rocking himself in the hope that she would come to love him, she was already loving another. The pleasure of the dance with Hetty was gone; his eyes, when they rested on her, had an uneasy questioning expression in them; he could think of nothing to say to her; and she too was out of temper and disinclined to speak. They were both glad when the dance was ended.


Adam Bede
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Polity of Athenians and Lacedaemonians by Xenophon:

on the right whilst they are marching in column, they have nothing further to do but to wheel each company to the right, like a trireme, prow forwards,[22] to meet the enemy, and thus the rear company again finds itself on the right. If, however, the enemy should attack on the left, either they will not allow of that and push him aside,[23] or else they wheel their companies to the left to face the antagonist, and thus the rear company once more falls into position on the left.

[13] Or, "alongside of any comrade who may have fallen in their way." See Plut. "Pelop." 23 (Clough, ii. 222); Thuc. v. 72.

[14] Or, "drill sergeant."

[15] See Jebb, note to "Theophr." viii. 3.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Shadow Line by Joseph Conrad:

into the dining room, by his screech: "I always said you'd be the death of me."

This clamour not only overtook me, but went ahead as it were on to the verandah and brought out Captain Giles.

He stood before me in the doorway in all the commonplace solidity of his wisdom. The gold chain glittered on his breast. He clutched a smouldering pipe.

I extended my hand to him warmly and he seemed surprised, but did respond heartily enough


The Shadow Line