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Today's Stichomancy for Jon Stewart

The first excerpt represents the past or something you must release, and is drawn from I Have A Dream by Martin Luther King, Jr.:

and the glory of the Lord shall be revealed, and all flesh shall see it together.

This is our hope. This is the faith with which I return to the South. With this faith we will be able to hew out of the mountain of despair a stone of hope. With this faith we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood. With this faith we will be able to work together, to pray together, to struggle together, to go to jail together, to stand up for freedom together, knowing that we will be free one day.

This will be the day when all of God's children will be able to

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Drama on the Seashore by Honore de Balzac:

the salt marshes. These men, or rather this clan of Bretons, wear a special costume: a white jacket, something like that of brewers. They marry among themselves. There is no instance of a girl of the tribe having ever married any man who was not a paludier.

The horrible aspects of these marshes, these sloughs, the mud of which was systematically raked, the dull gray earth that the Breton flora held in horror, were in keeping with the gloom that filled our souls. When we reached a spot where we crossed an arm of the sea, which no doubt serves to feed the stagnant salt-pools, we noticed with relief the puny vegetation which sprouted through the sand of the beach. As we crossed, we saw the island on which the Cambremers had lived; but

The third excerpt represents the future or something you must embrace, and is drawn from Venus and Adonis by William Shakespeare:

A smile recures the wounding of a frown; But blessed bankrupt, that by love so thriveth! The silly boy, believing she is dead Claps her pale cheek, till clapping makes it red; 468

And all amaz'd brake off his late intent, For sharply he did think to reprehend her, Which cunning love did wittily prevent: Fair fall the wit that can so well defend her! 472 For on the grass she lies as she were slain Till his breath breatheth life in her again.

He wrings her nose, he strikes her on the cheeks,