| The first excerpt represents the past or something you must release, and is drawn from Pivot of Civilization by Margaret Sanger: mother, must be brought to an acute realization of the primary and
individual responsibility of bringing children into this world. Not
until the parents of this world are given control over their
reproductive faculties will it be possible to improve the quality of
the generations of the future, or even to maintain civilization at its
present level. Only when given intelligent mastery of the procreative
powers can the great mass of humanity be aroused to a realization of
responsibility of parenthood. We have come to the conclusion, based
on widespread investigation and experience, that education for
parenthood must be based upon the needs and demands of the people
themselves. An idealistic code of sexual ethics, imposed from above,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tanglewood Tales by Nathaniel Hawthorne: worm-eaten posts and rafters of the rustic summer house. I was
not insensible to the advantages of his proposal, and gladly
assured him of my acceptance.
Merely from the title of the stories I saw at once that the
subjects were not less rich than those of the former volume;
nor did I at all doubt that Mr. Bright's audacity (so far as
that endowment might avail) had enabled him to take full
advantage of whatever capabilities they offered. Yet, in spite
of my experience of his free way of handling them, I did not
quite see, I confess, how he could have obviated all the
difficulties in the way of rendering them presentable to
 Tanglewood Tales |
The third excerpt represents the future or something you must embrace, and is drawn from Paz by Honore de Balzac: gold, comparable only to that of the hotel Forbin-Janson, the other in
the style of the Renaissance. The dining-room, which had no rival in
Paris except that of the Baron de Nucingen, was at the end of a short
gallery decorated in the manner of the middle-ages. This gallery
opened on the side of the courtyard upon a large antechamber, through
which could be seen the beauties of the staircase.
The count and countess had just finished breakfast; the sky was a
sheet of azure without a cloud, April was nearly over. They had been
married two years, and Clementine had just discovered for the first
time that there was something resembling a secret or a mystery in her
household. The Pole, let us say it to his honor, is usually helpless
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