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Today's Stichomancy for Jonas Salk

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

French horns whinnied and trumpets blew, The yellow fifes whistled between their teeth And the bumble-bee bass-drums boomed beneath; So he rode with all his band, Till the President met him, cap in hand. - The Governor "hefted" the crowns, and said, - "A will is a will, and the Parson's dead." The Governor hefted the crowns. Said he, - "There is your p'int. And here's my fee. These are the terms you must fulfil, - On such conditions I BREAK THE WILL!"


The Autocrat of the Breakfast-Table
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Soul of a Bishop by H. G. Wells:

were wrong. I feel like a son, growing up, who finds his mother isn't quite so clear-spoken nor quite so energetic as she seemed to be once. She's right, I feel sure. I've never doubted her fundamental goodness."

"Yes," said Lady Sunderbund, very eagerly, "yes."

"And yet there's this futility.... You know, my dear lady, I don't know what to do. One feels on the one hand, that here is a cloud of witnesses, great men, sainted men, subtle men, figures permanently historical, before whom one can do nothing but bow down in the utmost humility, here is a great instrument and organization--what would the world be without the witness of the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moon-Face and Other Stories by Jack London:

dropped it into his pan and examined another piece. Little yellow was to be seen, but with his strong fingers he crumbled the rotten quartz away till both hands were filled with glowing yellow. He rubbed the dirt away from fragment after fragment, tossing them into the gold-pan. It was a treasure-hole. So much had the quartz rotted away that there was less of it than there was of gold. Now and again he found a piece to which no rock clung--a piece that was all gold. A chunk, where the pick had laid open the heart of the gold, glittered like a handful of yellow jewels, and he cocked his head at it and slowly turned it around and over to observe the rich play of the light upon it.

"Talk about yer Too Much Gold diggin's!" the man snorted contemptuously. "Why,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

remarkable for their talent and industry, who have nevertheless died unrecognized. Are Russian navigators, chemists, physicists, mechanicians, and agriculturists popular with the public? Do our cultivated masses know anything of Russian artists, sculptors, and literary men? Some old literary hack, hard-working and talented, will wear away the doorstep of the publishers' offices for thirty-three years, cover reams of paper, be had up for libel twenty times, and yet not step beyond his ant-heap. Can you mention to me a single representative of our literature who would have become celebrated if the rumor had not been spread over the earth that he had been killed in a duel,


The Schoolmistress and Other Stories