| The first excerpt represents the past or something you must release, and is drawn from The Three Taverns by Edwin Arlington Robinson: I should say less. Whether or not, meanwhile,
We've all two legs -- and as for that, we haven't --
There were three kinds of men where I was born:
The good, the not so good, and Tasker Norcross.
Now there are two kinds."
"Meaning, as I divine,
Your friend is dead," I ventured.
Ferguson,
Who talked himself at last out of the world
He censured, and is therefore silent now,
Agreed indifferently: "My friends are dead --
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Heart of the West by O. Henry: ones up my sleeve.
"At the end of the third day he looked like a composite picture of
five thousand orphans too late to catch a picnic steamboat, and I was
wilting down a collar every two hours wondering how I could please him
and whether I was going to get my thou. He went to sleep looking at
the Brooklyn Bridge; he disregarded the sky-scrapers above the third
story; it took three ushers to wake him up at the liveliest vaudeville
in town.
"Once I thought I had him. I nailed a pair of cuffs on him one morning
before he was awake; and I dragged him that evening to the palm-cage
of one of the biggest hotels in the city--to see the Johnnies and the
 Heart of the West |
The third excerpt represents the future or something you must embrace, and is drawn from Confessio Amantis by John Gower: The lond with sode whete aboute,
Wherof no corn mai springen oute;
And thus be sleyhte and be covine
Aros the derthe and the famine
Thurghout the lond in such a wise,
So that the king a sacrifise
Upon the point of this destresse
To Ceres, which is the goddesse
Of corn, hath schape him forto yive,
To loke if it mai be foryive, 4290
The meschief which was in his lond.
 Confessio Amantis |