Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Jonas Salk

The first excerpt represents the past or something you must release, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde:

CURTAIN

LA SAINTE COURTISANE OR, THE WOMAN COVERED WITH JEWELS

The scene represents the corner of a valley in the Thebaid. On the right hand of the stage is a cavern. In front of the cavern stands a great crucifix.

On the left [sand dunes].

The sky is blue like the inside of a cup of lapis lazuli. The hills are of red sand. Here and there on the hills there are clumps of thorns.

FIRST MAN. Who is she? She makes me afraid. She has a purple

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Ursula by Honore de Balzac:

would have been impossible--left their son free to choose his own career; he might be a notary in Paris, king's-attorney in some district, collector of customs no matter where, broker, or post master, as he pleased. What fancy of his could they ever refuse him? to what position of life might he not aspire as the son of a man about whom the whole countryside, from Montargis to Essonne, was in the habit of saying, "Pere Minoret doesn't even know how rich he is"?

This saying had obtained fresh force about four years before this history begins, when Minoret, after selling his inn, built stables and a splendid dwelling, and removed the post-house from the Grand'Rue to the wharf. The new establishment cost two hundred thousand francs,

The third excerpt represents the future or something you must embrace, and is drawn from Shadow out of Time by H. P. Lovecraft:

the measureless age of the fragments, and Freeborn found traces of symbols which fitted darkly into certain Papuan and Polynesian legends of infinite antiquity. The condition and scattering of the blocks told mutely of vertiginous cycles of time and geologic upheavals of cosmic savagery. We had an aëroplane with us, and my son Wingate would often go up to different heights and scan the sand-and-rock waste for signs of dim, large-scale outlines - either differences of level or trails of scattered blocks. His results were virtually negative; for whenever he would one day think he had glimpsed some significant trend, he would on his


Shadow out of Time