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Today's Stichomancy for Josh Hartnett

The first excerpt represents the past or something you must release, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs:

the hills of Derby he had much food for thought upon the way. Never till now had he realized what might lie in another manner of life, and he felt a twinge of bitterness toward the hard old man whom he called father, and whose teachings from the boy's earliest childhood had guided him in the ways that had out him off completely from the society of other men, except the wild horde of outlaws, ruffians and adventurers that rode beneath the grisly banner of the young chief of Torn.

Only in an ill-defined, nebulous way did he feel that


The Outlaw of Torn
The second excerpt represents the present or the deciding factor of the moment, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

familiarity that made my blood freeze again.

MISS HARDCASTLE. He treated me with diffidence and respect; censured the manners of the age; admired the prudence of girls that never laughed; tired me with apologies for being tiresome; then left the room with a bow, and "Madam, I would not for the world detain you."

HARDCASTLE. He spoke to me as if he knew me all his life before; asked twenty questions, and never waited for an answer; interrupted my best remarks with some silly pun; and when I was in my best story of the Duke of Marlborough and Prince Eugene, he asked if I had not a good hand at making punch. Yes, Kate, he asked your father if he was a maker of punch!


She Stoops to Conquer
The third excerpt represents the future or something you must embrace, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

rich with old carving, and others in common garden pots; some crept serpent-like along the ground or climbed on high, using whatever means of ascent was offered them. One plant had wreathed itself round a statue of Vertumnus, which was thus quite veiled and shrouded in a drapery of hanging foliage, so happily arranged that it might have served a sculptor for a study.

While Giovanni stood at the window he heard a rustling behind a screen of leaves, and became aware that a person was at work in the garden. His figure soon emerged into view, and showed itself to be that of no common laborer, but a tall, emaciated, sallow, and sickly-looking man, dressed in a scholar's garb of black. He


Mosses From An Old Manse