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Today's Stichomancy for Julia Roberts

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Purse by Honore de Balzac:

works, remember that touching harmony, and you will see in this not so much an act of homage as an expression of the brotherly affection of your devoted servant, "DE BALZAC."

For souls to whom effusiveness is easy there is a delicious hour that falls when it is not yet night, but is no longer day; the twilight gleam throws softened lights or tricksy reflections on every object, and favors a dreamy mood which vaguely weds itself to the play of light and shade. The silence which generally prevails at that time makes it particularly dear to artists, who grow contemplative, stand a few paces back from the pictures on

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Anna Karenina by Leo Tolstoy:

he wanted to forget--his wife.

"Ah, yes!" He bowed his head, and his handsome face assumed a harassed expression. "To go, or not to go!" he said to himself; and an inner voice told him he must not go, that nothing could come of it but falsity; that to amend, to set right their relations was impossible, because it was impossible to make her attractive again and able to insipire love, or to make him an old man, not susceptible to love. Except deceit and lying nothing could come of it now; and deceit and lying were opposed to his nature.

"It must be some time, though: it can't go on like this," he


Anna Karenina
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from To the Lighthouse by Virginia Woolf:

that he would knock a pile of books over, just as they were going to sleep, clumsily sweeping them off the table with his elbow. For she supposed that he had gone upstairs to work. Yet he looked so desolate; yet she would feel relieved when he went; yet she would see that he was better treated tomorrow; yet he was admirable with her husband; yet his manners certainly wanted improving; yet she liked his laugh--thinking this, as she came downstairs, she noticed that she could now see the moon itself through the staircase window--the yellow harvest moon-- and turned, and they saw her, standing above them on the stairs.

"That's my mother," thought Prue. Yes; Minta should look at her; Paul Rayley should look at her. That is the thing itself, she felt, as if


To the Lighthouse
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

that inner life which so seldom unfolds itself to unanointed* eyes. He was sorry he had accepted Pontellier's invitation. He was growing old, and beginning to need rest and an imperturbed spirit. He did not want the secrets of other lives thrust upon him.

"I hope it isn't Arobin," he muttered to himself as he walked. "I hope to heaven it isn't Alcee Arobin."

XXIV

Edna and her father had a warm, and almost violent dispute upon the subject of her refusal to attend her sister's wedding. Mr. Pontellier declined to interfere, to interpose either his influence or his authority. He was following Doctor Mandelet's


Awakening & Selected Short Stories