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Today's Stichomancy for Justin Timberlake

The first excerpt represents the past or something you must release, and is drawn from The Children of the Night by Edwin Arlington Robinson:

That in love's elemental over-glow God's wholeness gleams with light superlative?

Oh, brother men, if you have eyes at all, Look at a branch, a bird, a child, a rose, -- Or anything God ever made that grows, -- Nor let the smallest vision of it slip, Till you can read, as on Belshazzar's wall, The glory of eternal partnership!

Supremacy

There is a drear and lonely tract of hell From all the common gloom removed afar:

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Critias by Plato:

district of Oropus. The country was then, as what remains of it still is, the most fertile in the world, and abounded in rich plains and pastures. But in the course of ages much of the soil was washed away and disappeared in the deep sea. And the inhabitants of this fair land were endowed with intelligence and the love of beauty.

The Acropolis of the ancient Athens extended to the Ilissus and Eridanus, and included the Pnyx, and the Lycabettus on the opposite side to the Pnyx, having a level surface and deep soil. The side of the hill was inhabited by craftsmen and husbandmen; and the warriors dwelt by themselves on the summit, around the temples of Hephaestus and Athene, in an enclosure which was like the garden of a single house. In winter they retired into houses

The third excerpt represents the future or something you must embrace, and is drawn from All's Well That Ends Well by William Shakespeare:

counsel, and understand what advice shall thrust upon thee; else thou diest in thine unthankfulness, and thine ignorance makes thee away: farewell. When thou hast leisure, say thy prayers; when thou hast none, remember thy friends: get thee a good husband, and use him as he uses thee: so, farewell.

[Exit.]

HELENA. Our remedies oft in ourselves do lie, Which we ascribe to heaven: the fated sky Gives us free scope; only doth backward pull Our slow designs when we ourselves are dull.