| The first excerpt represents the past or something you must release, and is drawn from Proposed Roads To Freedom by Bertrand Russell: and the politics of the great Republic.
The financial economy of American capitalism exhibits
in more dramatic shape a tendency common to the
finance of all developed industrial nations. The large,
easy flow of capital from Great Britain, Germany, Austria,
France, etc., into South African or Australian mines,
into Egyptian bonds, or the precarious securities of South
American republics, attests the same general pressure
which increases with every development of financial machinery
and the more profitable control of that machinery
by the class of professional financiers
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Cousin Betty by Honore de Balzac: duties and its stern sacrifices on both parts equally. Libertines, who
seek for hidden treasure, are as guilty as other evil-doers who are
more hardly dealt with than they. These reflections are not a mere
veneer of moralizing; they show the reason of many unexplained
misfortunes. But, indeed, this drama points its own moral--or morals,
for they are of many kinds.
The Baron presently went to call on the Marshal Prince de Wissembourg,
whose powerful patronage was now his only chance. Having dwelt under
his protection for five-and-thirty years, he was a visitor at all
hours, and would be admitted to his rooms as soon as he was up.
"Ah! How are you, my dear Hector?" said the great and worthy leader.
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The third excerpt represents the future or something you must embrace, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart: her lips as she leaned back, with closed eyes. She choked, coughed,
and rallied somewhat.
"Poor thing," said the stout lady. "As she lies back that way I
could almost think it was my mother; she used to faint so much."
"It would make anybody faint," chimed in another. "Murder and
robbery in one night and on one car. I'm thankful I always wear
my rings in a bag around my neck - even if they do get under me
and keep me awake."
The girl in blue was looking at us with wide, startled eyes. I saw
her pale a little, saw the quick, apprehensive glance which she
threw at her traveling companion, the small woman I had noticed
 The Man in Lower Ten |