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Today's Stichomancy for Karl Rove

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Proposed Roads To Freedom by Bertrand Russell:

well-being by the simultaneous increase of commodities and diminution of hours of labor.

This subject has been specially studied by Kropotkin, who, whatever may be thought of his general theories of politics, is remarkably instructive, concrete and convincing in all that he says about the possibilities of agriculture. Socialists and Anarchists in the main are products of industrial life, and few among them have any practical knowledge on the subject of food production. But Kropotkin is an exception. His two books, ``The Conquest of Bread''

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Court Life in China by Isaac Taylor Headland:

Lama Temple and the Confucian Temple, in the former of which there is a statue of Buddha seventy-five feet high, and from thirteen to fifteen hundred priests who worship daily at his shrine. This statue is made of stucco, over a framework, and not of wood as some have told us, and as the guide will assure us at the present day. One can ascend to a level with its head by several flights of stairs, where a lamp is lit when the Emperor visits the temple. In the east wing of this same building is a prayer-wheel, which reaches up through several successive stories, and is kept in motion while the Emperor is present.

In the east side buildings there are a few interesting, though in

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In the Cage by Henry James:

Her voice indeed trembled with it, and she could only for the moment again leave it so.

During this moment he leaned back on the bench, meeting her in silence and with a face that grew more strange. It grew so strange that after a further instant she got straight up. She stood there as if their talk were now over, and he just sat and watched her. It was as if now--owing to the third person they had brought in-- they must be more careful; so that the most he could finally say was: "That's where it is!"

"That's where it is!" the girl as guardedly replied. He sat still, and she added: "I won't give you up. Good-bye."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Modeste Mignon by Honore de Balzac:

alone for an instant. Dumay passed nights under her window wrapped in his cloak like a jealous Spaniard; but with all his military sagacity he was unable to detect the least suspicious sign. Unless she loved the nightingales in the villa park, or some fairy prince, Modeste could have seen no one, and had neither given nor received a signal. Madame Dumay, who never went to bed till she knew Modeste was asleep, watched the road from the upper windows of the Chalet with a vigilance equal to her husband's. Under these eight Argus eyes the blameless child, whose every motion was studied and analyzed, came out of the ordeal so fully acquitted of all criminal conversation that the four friends declared to each other privately that Madame Mignon was


Modeste Mignon