| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tales of the Klondyke by Jack London: as your time's correct?" Cardegee persisted, vainly hoping to beat
his executioner out of a few minutes. "Is it Barrack's time you
'ave, or is it the Company time? 'Cos if you do it before the
stroke o' the bell, I'll not rest. I give you fair warnin'. I'll
come back. An' if you 'aven't the time, 'ow will you know?
That's wot I want--'ow will you tell?"
"I'll send you off all right," Kent replied. "Got a sun-dial
here."
"No good. Thirty-two degrees variation o' the needle."
"Stakes are all set."
"'Ow did you set 'em? Compass?"
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Old Maid by Honore de Balzac: the ideas which SWARMED in her mind about rank, nobility, and the
external qualities of a husband had fastened. But, though the
Chevalier de Valois was the man chosen by her heart, and mind, and
ambition, that elderly ruin, combed and curled like a little Saint-
John in a procession, alarmed Mademoiselle Cormon. She saw the
gentleman in him, but she could not see a husband. The indifference
which the chevalier affected as to marriage, above all, the apparent
purity of his morals in a house which abounded in grisettes, did
singular harm in her mind to Monsieur de Valois against his
expectations. The worthy man, who showed such judgment in the matter
of his annuity, was at fault here. Without being herself aware of it,
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Study of a Woman by Honore de Balzac: the mantelpiece, and carried it to a window, to obtain, by
journalistic help, an opinion of his own on the state of France.
A woman, even a prude, is never long embarrassed, however difficult
may be the position in which she finds herself; she seems always to
have on hand the fig-leaf which our mother Eve bequeathed to her.
Consequently, when Eugene, interpreting, in favor of his vanity, the
refusal to admit him, bowed to Madame de Listomere in a tolerably
intentional manner, she veiled her thoughts behind one of those
feminine smiles which are more impenetrable than the words of a king.
"Are you unwell, madame? You denied yourself to visitors."
"I am well, monsieur."
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Christ in Flanders by Honore de Balzac: while lines of bright light in the eastern sky, sharp and clean as if
drawn by the tip of a brush, were separated by folds of cloud, like
the wrinkles on an old man's brow. The whole scene made a background
of ashen grays and half-tints, in strong contrast to the bale-fires of
the sunset. If written language might borrow of spoken language some
of the bold figures of speech invented by the people, it might be said
with the soldier that "the weather has been routed," or, as the
peasant would say, "the sky glowered like an executioner." Suddenly a
wind arose from the quarter of the sunset, and the skipper, who never
took his eyes off the sea, saw the swell on the horizon line, and
cried:
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