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Today's Stichomancy for Kate Moss

The first excerpt represents the past or something you must release, and is drawn from 1984 by George Orwell:

sort of faintness, an empty feeling inside his head. He would get up because the ache in his bones was no longer bearable, and then would sit down again almost at once because he was too dizzy to make sure of staying on his feet. Whenever his physical sensations were a little under control the terror returned. Sometimes with a fading hope he thought of O'Brien and the razor blade. It was thinkable that the razor blade might arrive concealed in his food, if he were ever fed. More dimly he thought of Julia. Somewhere or other she was suffering perhaps far worse than he. She might be screaming with pain at this moment. He thought: 'If I could save Julia by doubling my own pain, would I do it? Yes, I would.' But that was merely an intellectual decision, taken because he knew that he ought


1984
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Jungle by Upton Sinclair:

him was drawing pay as a city inspector of sewers. The city inspector of water pipes had been dead and buried for over a year, but somebody was still drawing his pay. The city inspector of sidewalks was a barkeeper at the War Whoop Cafe--and maybe he could make it uncomfortable for any tradesman who did not stand in with Scully!

Even the packers were in awe of him, so the men said. It gave them pleasure to believe this, for Scully stood as the people's man, and boasted of it boldly when election day came. The packers had wanted a bridge at Ashland Avenue, but they had not been able to get it till they had seen Scully; and it was the same with "Bubbly Creek," which the city had threatened to make the packers cover over, till Scully

The third excerpt represents the future or something you must embrace, and is drawn from A Voyage to Arcturus by David Lindsay:

passed through the air.

A few minutes later there was a sound of scurrying footsteps, and the boys were seen emerging from the forest. Maskull looked with curiosity at the first children he had seen on Tormance. The oldest boy was carrying the youngest on his back, while the third trotted some distance behind. The child was let down, and all the three formed a semicircle in front of Maskull, standing staring up at him with wide-open eyes. Polecrab looked on stolidly, but Gleameil glanced away from them, with proudly raised head and a baffling expression.

Maskull put the ages of the boys at about nine, seven, and five