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Today's Stichomancy for Kelly Hu

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Kidnapped by Robert Louis Stevenson:

he with me on my new clothes and my estate, you could feel very well that we were nearer tears than laughter.

We came the by-way over the hill of Corstorphine; and when we got near to the place called Rest-and-be-Thankful, and looked down on Corstorphine bogs and over to the city and the castle on the hill, we both stopped, for we both knew without a word said that we had come to where our ways parted. Here he repeated to me once again what had been agreed upon between us: the address of the lawyer, the daily hour at which Alan might be found, and the signals that were to be made by any that came seeking him. Then I gave what money I had (a guinea or two of Rankeillor's) so that


Kidnapped
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Walking by Henry David Thoreau:

streets--for it was court week--and to farmers and lumber-dealers and woodchoppers and hunters, and not one had ever seen the like before, but they wondered as at a star dropped down. Tell of ancient architects finishing their works on the tops of columns as perfectly as on the lower and more visible parts! Nature has from the first expanded the minute blossoms of the forest only toward the heavens, above men's heads and unobserved by them. We see only the flowers that are under our feet in the meadows. The pines have developed their delicate blossoms on the highest twigs of the wood every summer for ages, as well over the heads of Nature's red children as of her white ones; yet scarcely a farmer


Walking
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from War of the Worlds by H. G. Wells:

another that I so far forgot my personal safety and my scalded hands as to clamber up into the hedge and stare towards Sunbury. As I did so a second report followed, and a big projectile hurtled overhead towards Hounslow. I ex- pected at least to see smoke or fire, or some such evidence of its work. But all I saw was the deep blue sky above, with one solitary star, and the white mist spreading wide and low beneath. And there had been no crash, no answering ex- plosion. The silence was restored; the minute lengthened to three.

"What has happened?" said the curate, standing up beside


War of the Worlds
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tono Bungay by H. G. Wells:

I do still recall as the worst and most disastrous aspect of all that time, her absolute disregard of her own beauty. It's the pettiest thing to record, I know, but she could wear curl-papers in my presence. It was her idea, too, to "wear out" her old clothes and her failures at home when "no one was likely to see her"--"no one" being myself. She allowed me to accumulate a store of ungracious and slovenly memories....

All our conceptions of life differed. I remember how we differed about furniture. We spent three or four days in Tottenham Court Road, and she chose the things she fancied with an inexorable resolution,--sweeping aside my suggestions with--"Oh, YOU want